The first inkling that something was wrong was waking in darkness to find the cat pawing at my face.
The narrator being unreliable (or do I only think she’s unreliable?) definitely set my teeth on edge, almost as much as the paranoia slowly building.
Main character and narrator Laura (Lo) has to experience a luxurious cruise for work. If only the tight spaces didn’t remind her so much of the very recent home burglary she experienced.
Instead of work, the luxuries and familiar faces present to distract her, Laura is sure that one night she witnesses a murder. Her frazzled state never ceases, only grows, because there was no woman in that cabin, and is it true that she’s been recently traumatised?
The roll up and conclusion aren’t completely satisfying, but the way towards it is creepy enough for a few hours thrilling entertainment.
The woman in Cabin 10, Ruth Ware, Harvill Secker 2016