She-Ra

65 x 24 min.

Yes, I know, I’m surprised as well. This animated TV-show definitely took me a while to warm up to, and during the first two season (there’s five of them) I wouldn’t even have considered writing a blog about it. Somewhere near the end of season two, and/or the start of season three, it grabbed me. It grabbed me good.

She-RaBefore starting this show, I knew little about the previous incarnations of it and therefore didn’t feel the need to complain about how She-Ra isn’t a full-grown woman this time, nor about the lack of butt and boob shots (in an animated show, yes I know). It also means that I didn’t have any connection to it, and had to invest some time and energy to feel the connection.

She-Ra is fantasy, people with magic, bad guys that want to take it, colourful stuff, talking horses, but also teenagers, queer love, building your own family and views on power and the (ab)use of it. Especially when watching several episodes in a row you might notice some repetition, but as someone who skipped a few (there’s a character I could barely handle) I can say that you can still follow the main plot without confusion.

It’s also fun and bright and there’s so much heart in it, even though the shows of it sometimes made me feel a bit outside of the target audience/too old. Oh, and the animation is nice, instead of that try-hard, ugly as possible “adult” animation we have to suffer all too often.

She-Ra and the Princesses of Power, Netflix 2018

De mannen van Maria

We gingen om te baren, verscheept op bestelling van de heren ginds, zeven meisjes die vaak niet eens waren gekust.

Het verhaal van hoe ik aan dit boek ben gekomen is bijna net zo’n bevalling als alle reizen binnen dit boek – en het speelt zich af in de zeventiende eeuw ten tijde van de VOC. Dus nee, niet bepaald soepeltjes en vlot.

Was het de moeite waard? Nu lijkt het net alsof ik alle Nederlandse auteurs over één kam scheer, maar ook dit boek gaf mij weer het Hasse Simonsdochter-gevoel. Avontuur, en er zijn niet genoeg avontuurboeken voor volwassenen zonder dat er gelijk met kennis wordt gepatst of er meerdere wijze Levenslessen doorheen zijn gevlochten.

De mannen van Maria laat dat allemaal lekker links liggen. Natuurlijk, er is ongetwijfeld veel research gegaan in het verhaal van Maria van Aelst, de VOC, Batavia en de andere koloniën, maar het valt niet op. Het is allemaal een soepeltjes weggewerkt onderdeel van het verhaal: het opgroeien van een vrouw die in deze tijd op de Forbes-cover zou staan en wereldwijd bekend zou staan als self-made influencer.

Het verhaal moet even opwarmen, meerdere wegwerpopmerkingen á la “maar dat is niet belangrijk”/”dat is niet mijn verhaal”/”daar kan ik niets over zeggen” storen in het creëren van het plaatje van een niet al zo nette VOC-geschiedenis. Maar net zoals Maria zichzelf steeds verder ontwikkelt, vindt het verhaal haar weg ook op den duur.

De mannen van Maria, Anneloes Timmerije, Querido 2019

Is Everyone Hanging out Without Me?

This was my first audio book! Read/listened to, not written. I’m not Mindy Kaling. Does listening to a story make you judge it differently than reading it? I don’t think so, but I’m not sure yet.

I have little experience with audio books; solely the idea just doesn’t appeal to me. I’m too old and too impatient to be read, and what if it’s a bad voice? The second argument made me gave up on two books before managing to finish this one. Mindy Kaling knows how to use her voice, doesn’t do other voices (too often) and has people come in for their own (male) parts. It helps.

What also helps is that her story is fun, her tone and story realistic without being too self-deprecating (never nice in a woman), and plenty happens (it’s a memoir, you might expect that, but Mindy shares it). Yes, there’s a bit of an overdose of numbered lists and sometimes you could feel a bit iffy about the vocabulary used, but this book is almost ten years old already and we as a society changed towards the better on certain levels regarding language.

I’ve started listening to audio books because I wanted something different during my runs. Mindy kind of paved the way.

Is Everyone Hanging out Without Me? (and other concerns), Mindy Kaling, Penguin Random House 2011

The Lovebirds

86 min.

Sometimes you have to experience a few duds before you can enjoy film time. Neither Berlin, I Love You nor Last Night managed to do it for me. The Lovebirds saved the night, easily.

Lovebirds filmBoth plot and tropes used are familiar. Squabbling couple gets involved with crime. I can remember some Tina Fey/Steve Carrell-thing I don’t even feel like looking the title up for. When the material used is (very) familiar, it’s up to the actors to carry it.
I mostly know Issa Rae from Insecure, while Kumail is only familiar for The Big Sick and some scary tweets. I like the first much more than the latter, so it says a lot about Rae and the writing that the male protagonist won me over as well.

Another pro is the speed of the film. Nothing feels like filler, while at the same time not pushing you into anxiety because everything is in a terrible hurry. It ebbs and flows, and there’s so many laughs that it’s a good thing you’ve got time to breath.

Originally, this film would have been in theaters and it would definitely have been extra fun with the right crowd. But this film doesn’t necessarily need a crowd to be more entertaining.

The Lovebirds, Netflix 2020

 

Nothing to See Here

In the late spring of 1995, just a few weeks after I’d turned twenty-eight, I got a letter from my friend Madison Roberts.

I don’t mind unlikable protagonists, but in this case I very much wondered if the dislike was from knowing that a male author was writing a female character, that this female character just was too spineless, or that I just can’t handle aggressive passivity. Maybe all of the above. This, combined with the shortness of this novel, made my final amount of stars (the ones I don’t use) end up much lower than I expected when I read the summary of Nothing to See Here.

What is that summary, you ask? Well – screw up is asked to nanny two children that start burning at random moments. Bodies turning into flames without the kids hurting in any way. She is asked this by an old acquaintance she herself calls a friend and it all has to be on the down-low because the children are a politician’s.

This could have turned into scientific sci-fi, something with (a whiff off) magic realism or have this fire turn into something metaphorical, and make the entire story a commentary on class and the gap between haves and have-nots. Instead, there’s just ..situations. If Kevin Wilson solely wanted to communicate how sabotaging poverty and being directionless is, he succeeded. If he wanted me curious about his characters and the world they move around in – not so much.

Nothing to see here, Kevin Wilson, Ecco 2019

An American Marriage

There are two kinds of people in the world, those who leave home, and those who don’t.

Layers upon layers to uncover and think about in a book that could just be summarised by its title: yep, it’s about a marriage. Between Americans. But these Americans are Black, one of them is wrongfully incarcerated and what is a marriage if it’s largely between people of one is in prison?

This way, Tayari Jones looks at the prison system, racism, the institution of marriage, the first ones in families to go study and the burden that comes with it. This is a story that creeps under the skin, leaves you staring in the distance afterwards – empty and fulfilled at the same time.

Because what would have happened if Roy wouldn’t have been locked up? The marriage wasn’t perfect, but which one is? What if they would never have married? What if they would have grown up in another state or even another country? In what ways is the USA to blame for this entire situation? How is ancestry to blame (if so)?

It’s a testament to Jones’ writing that none of this adds an essay-like feeling to the novel: it’s a story first. A painful one, with glimmers of hope.

An American Marriage, Tayari Jones, Harper Collins 2018

Pastorale

Oscar liet de woorden van de leraar los – hij wist alles al.

Ja, tsja, ja, wat is dit nu precies? Ook al zitten er een paar eeuwen tussen, deed Pastorale mij soms aan Hasse Simonsdochter denken. Misschien dezelfde omgeving plus dat typische ‘Ha, lekker Nederlands’-gevoel? Het is in ieder geval niet dat er veel meer overeenkomsten zijn.

In Pastorale gaat het om een kleine gereformeerde gemeenschap waar in/tegenaan Molukkers gedumpt zijn ten tijde van KNIL. Het woord segregatie valt maar een paar keer, maar alle acties spreken duidelijk genoeg: zowel de Molukse Nederlandsers als de inboorlingen beschouwen het als een tijdelijke situatie.

Daarnaast is er Louise. Zij gelooft niet meer. Ze is terug thuis, maar een compleet buitenstaander. Hoe ze daar mee omgaat, en vindt dat ze daarmee om moet gaat, wisselt nog al.

Oscar zweeft tussen dat alles door, of is hij juist zo passief dat zijn complete zijn bewegingloos is? Hij komt in contact met de Molukse inwoners en leert er meer dan hij op school voorgeschoteld krijgt.

Nergens wordt nadrukkelijk genoemd in welke tijd dit speelt, en omdat dit kleine dorp al zo stil in de geschiedenis ligt, wordt het verhaal en haar karakters nog een tikje meer vervreemdend. Dit is een geschiedenisboek, maar net alsof het de geschiedenis van een andere versie van Nederland geeft.

Dus, wat is het? Je tijd waard.

Pastorale, Stephan Enter, Uitgeverij van Oorschot 2019