It’s not often that you don’t know what you would have wanted when a story doesn’t go the way you want to. Usually I’m sure how things could have been better: this time I just knew that this wasn’t what I wanted.
I like ‘what-if’ a lot, and that’s a large part of In Five Years‘ starting point. Dannie has a premonition/hallucination/dream about herself in five years in an absolutely different situation from which she’s in right now. And she likes this situation, so she doesn’t want that other one.
Rebecca Serle doesn’t feel like using filler and jumps almost four years to get to that dream/premonition/hallucination, but in the meantime the protagonist doesn’t evolve or become a person. Dannie feels like she came from a character generator, and her boyfriend doesn’t fare much better.
Besides the key element, there’s little development that excites as well. The first twist can be seen coming from afar, and the second turns this magic realist pondering about in what ways we can influence our futures into something.. the Hallmark channel would love for their tearjerker category.
After that, all strength is gone and it’s a good thing there never was much investment in the main character(s).
In Five Years, Rebecca Serle, Simon & Schuster 2020