The Thursday Murder Club

Well, let’s start with Elizabeth, shall we?

The Thursday Murder Club, Richard Osman, Viking 2020

This was fun! Of course, like as in every detective the characters learn things sooner than the reader does, but Osman managed to balance it in such a way that made me go “Okay, we’ll wait a chapter” instead of reading the final paragraph and trying to remember how many story lines were there and how they’re being tied up in twenty words.

In an old folks home, a group of seniors meet up on Thursday to try to solve cold case murders. When a murder happens close by, they decide to put their talents to a warm case.

As with any detective, the senior Sherlocks leave the local authorities (far) behind, but because the author writes with an almost audible wink it’s entertaining instead of annoying.

Is the murder solved? Moh, do we really care? Are the characters on display entertaining and maybe a little bit tugging at the heart-strings? Definitely.

The House in the Cerulean Sea

“Oh dear,” Linus Baker said, wiping the sweat from his brow.

The House in the Cerulean Sea, TJ Klune, Tor 2020

This was just the sweetness needed. It felt like a story that could be animated as part of another story. It’s an origin story, the entire plot a huge cliché (man goes through things, discovers that there are joys in life to be had), but it’s all done so nicely, without ever veering into the saccharine.

Also, there’s monsters.

I mean – children with abilities. Hidden away in an orphanage on an island at the end of the world and our protagonist has to make sure they are treated well. It’s what he does for a living (if you can call it living). This time he even has to keep an extra eye on the headmaster because he likes to colour outside the lines (gasp!).

TJ Klune makes it all fresh, funny and adorable because of their descriptions, characters and little jokes. You might see the ending coming closely after the beginning, but it’s such a nice ride.

Peter Darling

James Hook was bored

Peter Darling, Austin Chant, Less Than Three Press 2017

A novella about Peter Pen and Neverland and Hook being …slightly different from what you might remember. Even though it’s pretty short (142 pages in e-bookformat), it took me a while to get invested.

Looking back, it almost feels like the order of the story is the wrong way ’round: large parts of the second half might have been more suited for the introduction part of the story?

Still, the author delivers from the start with descriptions of Neverland, the horror of facing reality and gives an element that could easily become super smarmy a soft and genuine landing.

I’m ready for someone to turn this into a film, and I don’t say this very often about a story.

Capharnaüm

124 min.

I watched this entire film with focused energy and still don’t know why this is the title. It’s not the only thing lacking: the summary says this is about a street kid suing his parents for being born. It really is about Zain and his lack of control over things, plus his attempts to change that.

He tries to save his sister, he tries to save a left-behind toddler, he tries to save himself a bit. The streets of Yemen provide little, but Zain tries to take all of it.

It’s hard to believe that this is fiction, that it’s only actors that were put through this. Especially the boy playing Zain pulls story-lines off that would have been scoffed or laughed at with a lesser actor.

After, you’ll be glad that this time it was fiction. It just won’t make it easier to acknowledge that this way of living is reality for plenty of people.

And the court case? Or the title? Meh, I can do without.

Trickster Drift

The clouds finally broke into a sullen drizzle after a muggy, overcast day.

Trickster Drift, Eden Robinson, Alfred A. Knopf 2018

I can’t remember the last time I was so consciously waiting for a book. I read Son of a Trickster a long while ago, so why library – why did it take you two years to get me a sequel that was written in the year I read the prequel? Rhetorical question, I don’t need an answer.

With the first novel it took me a while to adjust to the story and appreciate what I took from it. With that knowledge, I expected to struggle again this time, but get a satisfying pay-off. Except – no struggle in sight. The e-book is almost 600 pages and I flew through them. Maybe Robinson found her flow, maybe I did, but I didn’t want to stop reading.

Jared has escaped some of the wild, eerie, lethal shit that was braided through his life and surroundings, but not all of it. And now he’s adding sobriety and study to them. So even though it seems like there’s more love and care around him, we should probably give him a break when he doesn’t immediately (positively) react to it (I tried, boy – did I try).

As it been two years since I’ve read the previous book, I can’t say if this one got scarier or more gory, but gosh – there’s a fine line between things that should only be myths and our reality in Robinson’s world.

It’s deliciously eerie, and can the library please get the completing novel in soon?

Best of 2020

It’s that time of the year.

What did I read and watch in 2020 and was any of it worthy of my time? Looking back.. yes, of course. It’s what you make of it. The year started slowly when it came to good, satisfying books, but in the end I still had to make cuts to end with five I’d definitely recommend to any curious reader.

Aria,, The Animators,, Conversations of Shadows,, Moord op de moestuin,, Notes from a Young Black Chef

TV, then? The one I keep telling myself I have to review more often? I did.. ten, this year. I’m not even going to check if that’s more or less (I’m doing that in a minute).

Castlevania,, Feel Good,, Giri/Haji,, Russian Doll,, Queen Sugar

With film I’m pleased to see that I (subconsciously?) went for pictures that had a (heavy) female cast and that my taste continues to be all over the place. See also: recently watched. I watched and reviewed some good films this year.

Bumblebee,, Colossal,, Edge of Seventeen,, De laatste dagen van Emma Blank,, Dirty God,, Rafiki,, Wolf

Sometimes I’m bored of this blog and thinking about how to put something down in writing that hasn’t been done a gazillion times before. Other times it’s almost like letting a sore bleed: a relief and others can deal with the mess. Hello, 2021!

The City We Became

I sing the city.

The City We Became, N.K. Jemisin, Orbit 2020

I keep giving N.K. Jemisin chances, to sound delightfully dramatic. Like they care. I mostly care because on paper (heh) she’s got everything I desire, but the click continued to miss. This time the click was loud. A bit delayed, but loud all the same.

In The City We Became there’s cities that come alive and people that are cities, multiple dimensions (a bit like an onion, but maybe more like a pastry), human beings (bigotry) being the scariest enemy and oh sh- is that a Cthulhu reference?

It’s like Jemisin inhaled all that I love (close to reality, eerie as hell, new ideas with familiar roots) and coughed up this creation written so well that I was worried about this not being fiction at all. I don’t want her to be the person showing us behind the matrix.

Only downside? “This first part of a trilogy”.

Educated

I’m standing on the red railway car that sits abandoned next to the barn.

Educated, Tara Westover, HarperCollins 2018

“Holy shit” might simultaneously be very fitting and entirely inappropriate for these memoirs from a woman that grows in Mormon surroundings with a family that seems to be a magnet for mental and physical disaster.

Tara’s father is sure that the End of Days is near, Iluminati are real and that the government is out to get you and brainwash you. The children are home-schooled and are expected to devote their entire lives to the family. Some of them do so easier than others, and not everyone has the mental health to do so.

Straighter put: there’s several not-diagnosed issues walking around and as everything is God’s will or a government-threat, there’s no room to change things. Even in cases of life or death.

Through a combination of circumstances and clear decisions; Tara starts to see things differently, starts to develop differently. Educated is the story of where it started, how it went and where it (for now) ended. It’s also a pamphlet for education, mental health care and a supportive society.