I had a professor in college, Mary Moroni, who taught Melville and Emerson, and who the once famous Norman O. Brown – her mentor – called the finest mind of her generation; a diminutive, cherubic woman in her early thirties with a resemblance to a Raphaelesque putto that was not incidental (her parents had immigrated from Urbino); a scholar of staggering erudition who quotes as easily from the Eddas and Hannah Arendt as she did from Moby-Dick; a lesbian, which I only mention because she did, often; a lecturer whose turns of phrase were sharp as a German paring knife, could score the brain’s gray matter and carve out new grooves along which old thoughts would reroute, as on that February morning two weeks after Bill Clinton’s first inauguration, when, during a class on life under early American capitalism, Mary, clearly interrupted by her own tantalizing thought, looked up from the floor at which she usually gazed as she spoke – her left hand characteristically buried in the pocket of the loose-fitting slacks that were her mainstay – looked up and remarked almost offhandedly that America had begin as a colony and that a colony it remained, that is, a place still defined by its plunder, where enrichment was paramount and civil order always an afterthought. Homeland Elegies, Ayad Akhtar, Little Brown and Company 2020
I should have seen it coming with such a first sentence. With some books you feel bad about not clicking with it; this has such positive reviews, it’s such an eye-opener etc. etc., so why am I not latching onto and never letting go?
Well, for starters the summary and the story don’t have a lot in common. There are so many descriptions of everything and everyone (the author seems to know that he does this, but still keeps doing it). And there’s much more descriptions of women’s vulvas than expected.
“Life as an American Muslim from 9/11 to Trump”. Sorta, but much more. And before as well, but not after. And very much, maybe all of it, about the author’s life. Even though there is a disclaimer about every character being fictional.
This offers insights about the (American) Muslim diaspora and ideas about the Islam which were new to me and explain some things, but there’s no clear line or plot wherever. Are these independent stories or a chronological build up? Trump might be mentioned on five of the three-hundred pages, was this a marketing decision? And why the sex diary?
But it’s “unputdownable” and by a Pulitzer-winning author, so I probably just don’t understand.