Edge of Seventeen

104 min.

I really didn’t expect to like this so much: just another American teen movie about a girl that’s struggling through growing up. Yes, we all did or do, boohoo. Honestly, I was expecting so little that I picked it so I could watch it with one eye on the screen and the other my book/phone/tablet.

Instead, I got a film that hit so close to home that it made me squirm. Good gravy, I was a brat. Good god, and not even an original one, look at Nadine go. Gosh darn, at least she has some solid excuse for this behaviour.

Because she does, partly – and it’s not just ‘puberty’, but I don’t want to spoil things. Hailee Steinfeld pleasantly surprised me again, all characters involved deserved their spot and managed not to be complete stereotypes: I’m still flabbergasted, I think.

So, maybe, only watch this without remembering how I admit to being almost a carbon copy to this main character. Or cut me some slack: you were probably a teen some time during your life as well.

Recently on Kanopy

A summary.

Free Fall (Freier fall) “The German Brokeback Mountain“. Sweet, sometimes sexy, but sadly also straight from the Gay Drama Clichés Play Book – including biphobia.

Kedi a Turkish documentary about the special connection the city Istanbul (and its inhabitants) has with (street) cats. Prepare yourself for burly men softened up by kittens, beautiful shots and a whole other view on Turkey.

What will people say (Hva vil folk si) shows a Norwegian teen getting the short stick in the culture clash between I- and we-cultures. It’s sad and frustrating and completely carried by the main actor.

The Cat Returns

75 min.

This might be my favourite Studio Ghibli. It’s less breath-taking in how it looks and how diversely weird the characters are, but I guess that it also makes it more accessible. Or that could be because it’s ‘just’ 75 minutes instead of the studio’s habit to go for two hours and over.

Is this a children’s film? I wouldn’t know, aren’t all of them? The style is of pastels and little chuckles, but with enough barbs for the viewer to scratch their head. Possibly.

Studio Ghibli

Sweet girl Haru risks her own life to save a cat. Turns out that that cat is a prince, and his father decides that Haru deserves eternal gratitude. Oh, and his son’s hand in marriage, because why not.

Haru is – understandably – a tad confused and rather doesn’t marry a cat. Good thing she gets help from an unlikely angle, and the catty balance is evened out.

The Cat Returns feels more traditionally like a fairy tale than other Studio Ghibli creations, and there’s less gruesome looks and characters. Maybe you should view it as an introduction to the studio. It will also help with preventing you from feeling slight frustration about every main female character from the studio looking the same, but maybe it’s already too late for that.

Dirty God

104 min.

Sommige titels onthoud je wel, maar je vergeet waarom je ‘m onthoudt. Met Dirty God wist ik het snel weer: de actrice heeft zichtbare brandwonden en dat was Nogal Een Ding toen de film uit kwam. Gezonde, slanke acteurs krijgen awards wanneer ze obees of gehandicapt doen voor een rol, maar de gehandicapte acteur krijgt maar weinig kans.

Enfin.

In de film zijn de brandwonden door zuur, een gebaar van een jaloerse vriend. En terwijl de kijker (deze dan) er snel aan went, kan Jade zich er niet bij neerleggen. Haar dochtertje schrikt van haar gezicht, ze wordt op straat beledigd en de leuke man die haar ook leuk vindt, kiest toch maar voor haar vriendin.

Dit alles moet opgelost worden met cosmetische chirurgie, al vinden haar artsen dit niet nodig. Marokko biedt een goedkope optie, maar dan weten we ondertussen al dat niets rechtlijnig is in het leven van Jade.

Dat betekent niet dat ze het niet blijft proberen, waardoor die lijnen wel geschapen móeten worden. Jade en haar pijnlijke geboetseer maken de film, waardoor ik ook gelijk het allerbeste voor haar acteur wens.

As it is in Heaven

128 min.

As mentioned before, am I right now enjoying a Kanopy-account as if whatever Netflix provides isn’t enough. I vaguely remembered this name as being good, maybe? Or interesting, possibly? But sometimes you can’t decide what you feel like and films like that fit the bill precisely.

As it is in Heaven is a Swedish film (so subtitles!) with a common trope: stranger moves or returns to small town, changes the lives of absolutely everybody. It has been done, it has been done well. In this case it’s definitely a ‘done well’. It seems like the writers took pleasure in steering towards cliches, only to avoid them at the last moment. Here no characterisation just for laughs or sadness, but all people that are recognisable as people opposed to ‘small town character number 5’. There’s no shying away from more serious subjects, and even though this is an ‘old’ (2004) film, it doesn’t feel outdated.

In all honesty, it surprised me how easy to watch it was, how genuine it all felt. The one thing that made me squint a little was the main couple; it felt like quite the age gap and I never care for those.

De laatste dagen van Emma Blank

89 min.

Er is helemaal niks met de hapsnap-films die je vermaken zolang ze duren en je vervolgens bent vergeten voor de aftiteling voorbij is. There’s a time and a place, enzo. Maar soms is een film die je een paar uur later nog laat fronzen of giechelen ook wel heel fijn.

laatste dagen vanHet mooie van deze film is dat elke paar minuten iets onthuld wordt waardoor je (zenuwachtig) moet lachen, maar het stopt zodra je het gaat verwachten. Wat is er hier dan wel aan de hand, en waarom weigert de film het makkelijk uit te leggen?

Emma Blank is een naar mens dat stervende is, en in haar huis door haar personeel wordt bediend (soort van). Het zijn de regelmatige onthullingen waardoor de film geen family epic blijkt maar meer een ..absurde samenscholing van clichés die in zo’n verhaal voorkomen? Misschien?

De karakters maken het er ook niet makkelijker op, afwisselend in irritant en meelijwekkend. Ook dat draagt bij aan het gevoel van vervreemding, hoor je bij een verhaal niet op z’n minst één iemand willen steunen?

En zo zit ik alweer te glimlachen door deze verzameling vreemde, nare vogels.

De laatste dagen van Emma Blank, Graniet Film 2009

The Lovebirds

86 min.

Sometimes you have to experience a few duds before you can enjoy film time. Neither Berlin, I Love You nor Last Night managed to do it for me. The Lovebirds saved the night, easily.

Lovebirds filmBoth plot and tropes used are familiar. Squabbling couple gets involved with crime. I can remember some Tina Fey/Steve Carrell-thing I don’t even feel like looking the title up for. When the material used is (very) familiar, it’s up to the actors to carry it.
I mostly know Issa Rae from Insecure, while Kumail is only familiar for The Big Sick and some scary tweets. I like the first much more than the latter, so it says a lot about Rae and the writing that the male protagonist won me over as well.

Another pro is the speed of the film. Nothing feels like filler, while at the same time not pushing you into anxiety because everything is in a terrible hurry. It ebbs and flows, and there’s so many laughs that it’s a good thing you’ve got time to breath.

Originally, this film would have been in theaters and it would definitely have been extra fun with the right crowd. But this film doesn’t necessarily need a crowd to be more entertaining.

The Lovebirds, Netflix 2020

 

Two Night Stand

86 min.

I have to admit that this was much more fun than expected, but maybe it just hit me at the right spot at the right time. It’s not like the plot was mindblowingly original, but it did give some creative spins to the well-used trope of Unwanted Company becomes Much Wanted Company (good thing I’m not paid to give tropes names, I’ll explain).

film poster two night standMain character suffering of mediocrity and a very early mid-life crisis decides to try an one night stand to help herself out of her funk. Alcohol is involved.  The one night stand happens, she tries to escape, she’s snowed in. They try to keep their distance, they get overly honest with each other, the honesty hurts. And still all that snow.

The chemistry between the two helps a lot, but then there’s also the little sign of creativity when it comes to backstories and motivations. It’s also nice that not everything is sickeningly sweet and unbelievably dumb: for a romantic comedy these two main characters are kind of realistic.

So, it’s not all that. Maybe quite little. But what it is, is fun and sweet.

Two Night Stand, Entertainment One 2014

 

Rafiki

83 min.

Eindelijk. Rafiki heeft Rafiki omdat het het Swahili-woord voor ‘vriend’ is en homoseksuele koppels vaak als vrienden moeten leven om niet (geweldadig) uit de samenleving verwijderd te worden.

Rafiki film posterDus geen relatie tot de Lion King.

Deze film was voor verschillende festivals uitgekozen en ik kon bijna meer de frustratie herinneren van het te missen in Rotterdam dan wat het verhaal ook al weer was.

Het verhaal is simpel. Twee jonge mensen bevrienden elkaar en worden verliefd op elkaar, maar omdat het allebei vrouwen zijn, zijn er heel veel mensen die dit helemaal gruwelijk vinden.

Daarin ligt ook mijn enige frustratie: wanneer krijgen lesbiennes eens een luchtig niemandalletje (schrijf je dat zo?) van een film waarin het alleen om kalverliefde gaat? Als films met heteroseksuele romances net zo’n hoog percentage van geweld zou hebben, zou de politiek er waarschijnlijk vragen over stellen. Enfin.

Rafiki was het wachten waard door de twee hoofdrolspelers, en door de boodschap waar het mee eindigt.

Rafiki, Shortcut Films 2018

The Half of It

105 min.

And that’s how you do a coming-of-age, finding-your-way film for teenagers in a way that isn’t bubblegum colours, dubious voice-overs and an aggressive soundtrack.

half of it posterThat might make The Half of It dull for some people. Protagonist Ellie goes through life in the shadows and not in the Everyone Notices The Wallflower-way but really: in the background of everything. Her fellow pupils only notice her because of her essay writing skills, and one of them decides to use those skills for a more romantic endeavour. ‘Romantic’, as this is a teenage story and Cyrano de Bergerac-ing a relationship is never a good idea.

But that’s what happens, and Ellie is confronted with things that hang out with her in those self-chosen shadows. Do I make it sound too much like a horror film like this? I swear it isn’t!

Although looking at the poster.. that’s a bad poster.

Anyway, focus. The Half of It is a film for the children of immigrants, the half-orphans, those who have ever been confused with their identity, and those that didn’t view high school as the highest point of their life’s experience. It’s sweet in a cool way.

Worry it’s all too teenager for you? Watch Saving Face by the same director.

The Half of It, Netflix 2020