History has failed us, but no matter.
Yes, a much better start for the new reading year than Acceptance. Much better than any recent books, and it’s January 24th. Anyway, Pachinko was lauded and I’m glad it didn’t disappoint me.
It’s a family epic of a Korean family, starting in 1910. Generation after generation takes you past living in poverty, living in a colonised country, war, prosperity and loss. There’s born family and created family and all the other connections that happen in society.
Sounds terribly vague? Simply because this is a book you should allow to overwhelm you, instead of going in with any expectations. “Meh”, you think, “a soap opera spread through time”, but that’s an insult. Pachinko is history, humanity, entertainment and mind boggling (the things I didn’t know as a white woman). Oh, and the descriptions of food might make you drool a little.
Pachinko is nominated for the American award ‘National Book Award for Fiction’. It has my vote.
Pachinko, Min Jin Lee, Hachette Book Group 2017
I have been acquainted with the smell of death.
Like a Creative Writing exercise someone gave up on after a few hundred pages. Or fanfiction, but where’s the line between those two anyway?
Anyway. House of Names is about the characters in Agamennon’s story. His wife Clytemnestra, his daughters Electra and Iphigenia and son Orestes. The sacrifice of one of them leads to mayhem and disaster, and everyone but Iphigenia get to give their point of view on the aftermath of it.
And they do so, and it feels like the build up to regular fiction build on mythological and/or historical figures. But then it’s done. Turns out it’s a slice of life, a collection of character sheets, instead of the creation of a story.
Maybe I should have known seeing that it only had little over 100 pages (in my e-reader). You can pass this one in your search for historical fiction with familiar names.
House of Names, Colm Tóibín, Penguin Random House 2017
So I discovered something new (NetGalley), and now I’m sure I’ll never want for something to read ever again. If the subscriptions to two international libraries and Overdrive weren’t going to take care of that, of course.
To the book. Young Adult with the main character having cerebral palsy, living in a very small town and saving another male teen that might not want to be saved. But still, pulling someone out of the water creates a connection.
Ryan feels responsible for Jack after that, even though Jack and Ryan’s best friend Cody try to stop making him feel so. Jack’s not the best, most social, fun loving guy around, while Cody is the pretty stereotypical jock.
What Liane Shaw does – and very nicely so – isn’t hurry either of them into a corner. Yes, someone’s disabled, but not his disability. Yes, someone’s gay, but not his sexuality. And yes, the jock can learn. All characters get room for development, and that doesn’t happen often enough.
It makes for a sweet, soft story, and a nice start of my Netgalley experience.
Caterpillars Can’t Swim, Liane Shaw, Second Story Press 2017
PROBLEM NO. 1
Your regular table at the fabulous restaurant on the exclusive island where you own a beach house is unavailable.
Follow up from Crazy Rich Asians and China Rich Girlfriend, now with even some issues that everyone that isn’t a billionaire or millionaire could relate to. Maybe.
Does one read books of these series for recognising situations from their own lives? Probably not. Bring in the details about the clothes, the planes, the houses, the spending.
Again, there’s so many characters that the genealogy in front of the book can be helpful. The author ramps up the amount of notes as well, this time using them (more often) to comment, instead of to explain. But in between all of that is a brightly coloured, very expensive (looking) story full of dramatics and diamonds. It’s silly, it’s superficial, it’s quite delicious (especially in between Year of Wonders and writing essays about The Catcher in the Rye).
Rich People Problems, Kevin Kwan, Doubleday 2017
Well, never a dull moment. Not that I expected anything else, the trailer was already filled with peeing in public, sexual innuendos (and just plain comments), yelling, laughing and loud messes. You saw it with The Hangover and the dozens of similar movies, now it’s the turn of the girls.
As in every buddy-on-the-road movie there’s familiar types for everyone to recognise themselves in. The loud one, the disillusioned one, the boring one, the one (seemingly) complete in control. They haven’t seen each other in years because of some disgruntlement(s), served up whenever the speed needs to be picked up again.
Sometimes it’s a bit too loud and too crass, but the majority of the time it’s the silly fun that’s almost always welcome. Also; try to catch it in the cinema (or a large(r) group), the crowd definitely completes the experience.
Girls Trip, Universal Pictures 2017
Tsja. Het had heel veel kunnen zijn, een film over de fantasy scifi van-alles boekenserie van Stephen King. In plaats daarvan probeerde het vooral even van alles aan te stippen, zonder al te veel op te letten op wat het bronmateriaal aanbood.
Dus wordt er een jongen toegevoegd, en details van zo’n zes boeken rond gesprenkeld. Hij heeft visioenen van een andere wereld met daarin een donkere toren, maar dan blijkt hij nodig voor de doelen van de slechterik, dus mag hij ook die andere wereld in. Gelukkig is er een held, de laatste van zijn soort, en daardoor emotioneel op de standaard Remi-manier.
Idris Elba (de held) doet nog wel zijn best, en je gunt hem een spin off of op zijn minst een mini-serie waarin we meer van zijn achtergrond leren. De slechterik lijkt vooral een donkere outfit genoeg motivatie te vinden om slecht te zijn. Er wordt niet genoeg gedeeld, en moeten we ons echt wel zorgen maken als de toren valt?
Men zou bezig zijn met een televisieserie voor de boeken. Geef Elba nog een keer een kans, en laten we de rest vergeten.
The Dark Tower, Sony 2017
Hallelujah, another romcom. With some coming-of-age elements. And fish-out-of-water, because this romantic comedy largely involves an immigrant family in the USA. Which means there’s people of colour involved as well, score! I know this could be read as sarcastic, but I feel like romantic stories are even more often super white than other movie genres.
Kumail and Emily meet when he’s doing a standup show, both decide that this meet up is going to be an one time thing. Good thing we know there’s way too much chemistry between the two of them to believe that.
Romantic gestures, fights, breaks ups and make ups are (mostly) thrown aside for a much bigger game changer: Emily becomes seriously ill. How does a relationship work with/around that?
Kumail goes through some Life Lessons, while Emily is (more) fleshed out through the presence of her parents. It’s their chemistry that doesn’t make you ask too much questions, just look at the darn cute of them. The other characters are everything you need in a romantic comedy.
The Big Sick, FilmNation Entertainment 2017