6 x 25
This had me feeling awfully tender; not solely because I recognise everything the main characters experience, but mostly because the camera never turns away. You never get a break from emotions, fights and awkwardness.
For a show that’s easy to summarise, it’s not easy to review. I liked it, a lot. The story of a young woman struggling with gender identity and addiction, romance and family and being a comedian in the way that Hannah Gadsby is one – way too honest. Protagonist and creator Mae Martin added (some) biographical elements to the show as well, which might another layer of discomfort.
It’s the lack of heaviness that just makes it all more genuine and heartfelt. No musical clues about how to feel, not a lot of explanatory dialogue, just Mae and her girlfriend stumbling through life while you try to get them into a different direction.
Still, it’s sweet, and funny. There’s not fanfare or shoulder-pats about showing and discussing Big Subjects – they just happen to be the elephants in the room that have to be discussed.
Maybe not for everybody, but definitely for those that are always interested in the human connection.
Feel Good, Netflix 2020
And that’s how you do a coming-of-age, finding-your-way film for teenagers in a way that isn’t bubblegum colours, dubious voice-overs and an aggressive soundtrack.
That might make The Half of It dull for some people. Protagonist Ellie goes through life in the shadows and not in the Everyone Notices The Wallflower-way but really: in the background of everything. Her fellow pupils only notice her because of her essay writing skills, and one of them decides to use those skills for a more romantic endeavour. ‘Romantic’, as this is a teenage story and Cyrano de Bergerac-ing a relationship is never a good idea.
But that’s what happens, and Ellie is confronted with things that hang out with her in those self-chosen shadows. Do I make it sound too much like a horror film like this? I swear it isn’t!
Although looking at the poster.. that’s a bad poster.
Anyway, focus. The Half of It is a film for the children of immigrants, the half-orphans, those who have ever been confused with their identity, and those that didn’t view high school as the highest point of their life’s experience. It’s sweet in a cool way.
Worry it’s all too teenager for you? Watch Saving Face by the same director.
The Half of It, Netflix 2020
Heel even in het nieuws omdat meer mensen dan verwacht het keken. Brazilianen – daar komt de film vandaan – begrepen het niet zo, zo goed was het niet. Alsof dat mensen ooit heeft tegengehouden.
Nuffig hoofdpersoon is Ana, influencer en vrouwelijke tiener met een social mediaverslaving. Dingen Gaan Fout waardoor ze moet afkicken bij haar knorrige opa. Daar Leert ze Dingen en komt ze een leuke jongen tegen. Zoals dat gaat.
Voor kleurigheid en flauwigheid is dit heel redelijk weg te kijken, maar het acteerwerk is voor een doelgroep jonger dan mij. De film is voor hen misschien weer iets te lang, en door Portugees als voertaal zal er waarschijnlijk gelezen moeten worden.
De Brazilianen hadden dus gelijk. Het ‘fish out of water’-plot kun je op vele andere plekken in betere versies vinden. De wijze lessen voor onzekere, met het-uiterlijk-geobsedeerde tieners ook.
Airplane Mode, Netflix 2020
It’s easy to judge this on many different levels and scoff a bit, but remember the target audience, and try to find some joy in your heart. I did.
This is the sequel to To All The Boys I loved Before. Mild spoilers for that one follow.
How long can a happy ending last? As everyone involved here are teenagers, the question might be a rhetorical one. Another crush shows up, and he seems much more nicer and attentive than Lara Jean’s boyfriend, oh no!
When not dating, worrying about dating and thinking of how to keep her boyfriend happy, Lara Jean has to deal with friendship, family and school as well. Actress Lana Condor makes sure she carries it well, even with those eye-rolling moments in which you just want to shake every teenager involved.
All of it is very cute and bright and sometimes very quirky, and all of it completely fits the bill and the people this has been made for. And – I admit almost with shame – for me as well.
To All The Boys: P.S. I Still Love You, Netflix 2020