Amber Patterson was tired of being invisible.
This was insanely fun, until it got serious, and then luckily got fun again. A story like a roller-coaster, no matter how big a cliche that is. It’s fast, gets a bit scary/ugly at some times, and gives you no break from it.
It starts out with Amber, who’s planning to take a rich woman’s husband and with that, a woman’s life. Take over, there’s no need for murder, although Amber definitely has some murderous thoughts from time to time. She feels grossly neglected by faith and luck and life, so honestly – shouldn’t she grab whatever she can?
Then there’s Daphne Parrish, the delicate rose whom refuses to recognise how good she’s got it, no matter how often she says she does. It’s easy to view Amber as a bit of an angry Robin Hood, but the Constantine sisters (the author exists out of a duo) flip that around, having the reader end up in the ugly part.
And all this with such a tempo that it feels like the story is being poured straight into your brain. I honestly can’t remember downsides to it; it just leaves you with such a ‘FUCK YEAH’ feeling that blemishes are blown away.
The Last Mrs. Parrish, Liv Constantine, Harper Collins 2017
I like to think I know what death is.
There’s a kind of story that is elevated by the surroundings its in. Even though this is the case in Sing, Unburied, Sing, it isn’t always saved by those surroundings. The story is dark and muddy, and there’s no air bubbles to be found in this morass.
Here’s a small, hurting family in the societal backgrounds of the USA. They hurt because of deaths past and future, addictions and crimes. Jojo is the young teenager who the story evolves around, but his drug addicted mother gets to share her angle as well.
If there’s not enough unhappiness around these two, death starts interfering with the living, and the story starts to feel like something the ancient Greeks would use as an example for hell. No matter what you do, misery will follow.
I’m slightly disgruntled because of having read this. Not because it’s badly written or a sloppy story, solely because it’s just full of disgruntlement, big and small. You could read it for the slice of depressing life, but don’t expect any uplifting experience.
Sing, Unburied, Sing, Jesmyn Ward, Scribner 2017
As Amar watched the hall fill with guests arriving for his sister’s wedding, he promised himself he would stay.
Finally, a story that grabbed me again. One of those that makes you ache for the characters involved, making you wish that you could reach out to them and shake some sense into them.
At first, I got a bit frustrated by the lack of chronology; a story line is never finished before a memory (from another character) intervenes. It took me until much later that this is how humans work: our bodies might follow a chronology, our minds are always connecting things to thoughts past and future dreams. You learn so much about this family because of all the things they remember, worry about and wish for. But gosh darn it, why don’t they just TALK to each other?
Maybe it’s because it’s a Muslim family that uses their traditions as a wall, a shield and a safety net. Maybe it’s because they’re immigrants in the USA, some of them growing up during and after 9/11. Maybe it’s culture and surroundings and character and fears.
But gosh darn it, do you root for them. Do you wish for more pages to set things right, because surely a happy ending is in order here. Until then, you’re stuck with a lump in your throat.
A Place for Us, Fatima Farheen Mirza, Penguin Random House 2018
Batshit crazy, pretty much the entire story and the people involved. But in such a stupidly entertaining way.
Besides that, there’s jealousy-inducing wardrobes involved, Anna Kendrick showing that she can act and that Blake Lively can’t play anything other than the Serena Woodsen – good thing her character isn’t the emotional type.
Super mom Stephanie befriends super cool aloof power woman (whom happens to be a mom as well) Emily. Emily has some weird habits, but look at the house and the outfits and the martinis! And then she goes missing.
During what follows, pretty much everyone is a suspect, red herrings and embellishments are thrown out left and right, and the women are well dressed (and Henry Young’s character as well).
Could all this have been cut down to a brighter Gone Girl? Very probably, but the two hours would have been far too much then. Better to just keep it as a sugar rush roller-coaster.
A Simple Favor, Lionsgate 2018
My mother Li Min’s labor pains began the night that the widow was beaten in front of the Tian-ma Teahouse.
I’m a sucker for family epics, “spanning decades”. Honestly, you can just get my attention with those two words. Add a not-western background (because honestly, aren’t we familiar enough already with those?) and I’m in. So that’s how I ended up with Green Island.
You follow the main character from birth to seniority, over two continents and through so much political unrest that it’s sometimes boggling to realise that these are real life events. How much do you know about the history of Taiwan, after all?
Shawna Yang Ryan leads you through the casual horrors different governments exercise while juxtaposing it with (immigrant) domestic life, making some chapters almost surrealistic. The narrator is always chafing in her surroundings, sometimes making her annoying, but the story continuously enticing.
Green Island, Shawna Yang Ryan, Alfred A. Knopf, 2016
After finishing this, I don’t know if I should go change all my passwords, or share them with loved ones. Searching is a search through your digital and online presence, and it shows first of all how easy it is to get to everything you share and secondly all the traces you leave behind.
The search mentioned is by a father for his teenage daughter, and it’s completely shown through iMessage, FaceTime, live news items etc. At first it feels a bit gimmicky, does one really use FaceTime that often, but quickly it becomes uncomfortably intimate. Not just the father scrolling through his daughter’s videos and texts, but also the endless surge of stimulants; hashtags, texts, chats, videos, messages. Give everyone involved time to think, please.
The movie threw me a few times, using red herrings that only add to the feeling of discomfort. As said above: I don’t want to experience all this, but I don’t know how to prevent it either. Except for some decisions to make, but that would spoil the clue.
Searching, Sony Pictures 2018
“I know you hate surprises, Stella.
A romance involving a poc love interest and a protagonist with Asperger’s; look at the genre entering the twenty-first century!
I know romance is (usually) frowned upon, but looking at it (this and fantasy), it might be the category that gives room most easily to someone other than the white heterosexuals. Good for them, good for us.
Stella is on the spectrum, and after another push of her parents with regards to dating she decides to approach sex and romantic relationships the way she does everything else: fully logical and mathematical. That includes hiring an escort and To Do lists to tick off.
But of course! Lust and love happens, and both are described in delicious ways. The only sour note in the entire story is Michael’s actions near the end of the story; they could have prospered with a better motivation and/or argumentation for accepting it. Don’t let that keep you from a lovely, sexy romance.
The Kiss Quotient, Helen Hoang, Penguin Random House 2018