Trouble is a Friend of Mine

Of course I didn’t like Digby when I first met him.

I never read a Nancy Drew novel (I think), but I’m pretty sure this could be the more reluctant, twenty-first century version of one. Protagonist Zoe mentions it as well, so I’m definitely onto something.

After the divorce of her parents, Zoe moves to a small town where’s she pretty quickly adopted by the town’s outcast, Digby. He wants/needs her for his research regarding missing girls. His lack of metaphorical bed manner doesn’t enthuse Zoe a lot at first, but plenty of shenanigans happen for her to slowly come round to his hypotheses.

He’s a weird but appealing fellow, and it’s not like Zoe is surrounded by new friends and an understanding mother. So instead of a high school story, the reader gets a small town detective with character descriptions that Celeste Ng would appreciate.

It’s a quick, smart read. The only thing I’m still unsure about is the ending; this novel is one of the very few cases in which there could have been a few more chapters to round things up a bit more completely.

Trouble is a Friend of Mine, Stephanie Tromly, Penguin Random House Company 2015

Happy Valley

13 x 58 min.

Laat ik maar voorop stellen dat deze titel zeker weten ironisch is. Happy Valley is een detective in een klein dorpje met zoveel criminaliteit dat het niet verwonderlijk is dat het zijn eigen politiebureau heeft.

Happy Valley posterHoofdrolspeler is Catherine, en zij en de actrice die haar speelt (Sarah Lancashire), zijn ook de USP voor deze serie. In plaats van weer een nukkig supergenie als leider te hebben, is Catherine zo verdomde menselijk dat het regelmatig ongemakkelijk wordt. Niets van wat zij meemaakt, lijkt geschreven voor goedkoop scoren of om haar karakter snel als eigen te beschouwen. Wat ze ook doet, er is een magnetisme waardoor je blijft kijken.

Het is een grauwe serie, maar door de onderwerpen, niet door kleurgebruik. Per seizoen (twee), is er een rode lijn, terwijl tussendoor Catherine politiewerk en leven op de best mogelijke manier wilt doen.

Ik ben niet vaak van de detectives, ze herhalen zichzelf snel, maar met Happy Valley krijg je zoveel mensen er bij dat de boel nergens vertraagt of gaat vervelen.

Happy Valley, BBC 2014

 

The woman in Cabin 10

The first inkling that something was wrong was waking in darkness to find the cat pawing at my face.

The narrator being unreliable (or do I only think she’s unreliable?) definitely set my teeth on edge, almost as much as the paranoia slowly building.

Main character and narrator Laura (Lo) has to experience a luxurious cruise for work. If only the tight spaces didn’t remind her so much of the very recent home burglary she experienced.

Instead of work, the luxuries and familiar faces present to distract her, Laura is sure that one night she witnesses a murder. Her frazzled state never ceases, only grows, because there was no woman in that cabin, and is it true that she’s been recently traumatised?

The roll up and conclusion aren’t completely satisfying, but the way towards it is creepy enough for a few hours thrilling entertainment.

The woman in Cabin 10, Ruth Ware, Harvill Secker 2016

Radiance

Come forward.

First of all, I’m not very fond of the novels that show their story through a collection of notes, diaries, pamphlets, and so on. Add those as decoration, but it feels too fragmented to build a story from. Or that’s simply laziness from me.

Secondly, there’s more room for world building than plot. Yes, I know, me complaining about too much world building? On this blog? But with Radiance there is no balance between the two. Character names are thrown around while my mind’s still reeling from learning about Mars’ society, more time spent on the interior of a space ship than motivation of caring for the main characters. Who are even the main characters?

The main plot – at least I think it is – is about how a company tries to reconstruct the disappearance and or ending of one of their employees. This being a film company, and the employee being a director and daughter of a Well Known Director, makes things just a bit more glamorous.
Because that’s what Radiance is, glam. Shiny. A picture book set in words.

 

Radiance, Catherynne M. Valente, Corsair 2015

John Wick: Chapter 2

122 min.

Can you get any more violent? When you’re talking to John Wick versus John Wick: Chapter 2, the answer is yes. Maybe the question should be: can it be more bloody? Also, yes. When the first five full-on-screen exploding skulls and body parts might make one flinch, there’s so many of them it’s tempting to just go ‘Ah, you again’ after a while.
john-wick-chapter-2

Viewers were promised more of the world building regarding the criminal world (and hotels) through which John moves. The promise was full-filled, although scantily. This time we learn that this world is international, spending one third of the film in Rome (and under it). Again it’s beautiful surroundings, beautiful people and some worrying rules these people live by.

But mostly it’s violence. With weapons, without. On the roof, under ground (and in the underground), anywhere. But don’t worry about the dog this time, Wick does it utterly, completely by himself.

John Wick: Chapter 2, Thunder Road Productions 2017

Luther

57 min. 16 afleveringen

Luther is Idris Elba, maar om het weg te zetten als niet meer dan een stervehikel zou een belediging voor de show en een gemis voor de kijker zijn.Heeft de eerder genoemde Paul Rudd misschien alle charme, Idris Elba is een magneet in wat hij ook doet, hoe lelijk of aggressief ook.

Luther_TV_Series_BBCWant, zoals vele hoofdpersonen-van-politieseries voor hem, detective John Luther is geen lieverdje. geen gezellig type, op trouwe collega Ripley na geen mensenman. Dat komt deels vast door de zaken die hij moet oplossen, gruwelijke situaties waardoor je bijna Londen niet meer in zou durven.

Wat Luther geen zaak-van-de-week serie maakt, zijn Elba en zijn collega’s. In welke plotlijn ook, of ze nu voor of tegen hem zijn, de serie is een bastion van acteerwerk.Voeg daar het karakter van zeer vreemde vogel Alice Morgan aan toe en de show is meer karakterstudie dan politie-en-verlos.

Ondanks de kleine hoeveelheid afleveringen raad ikĀ ‘binge watching‘ toch af. Je wilt je nog wel af en toe ergens veilig voelen.

Luther, BBC 2010

The Axeman’s Jazz

John Riley stumbled into the offices of the New OrleansĀ Times – Picayune an hour and a half later after he was supposed to have started work.

New Orleans in the early ninety twenties, close to prohibition, close to racial tensions. And in the midst of it is a chain of brutal murders. Yet it is more of a human interest story than a detective or thriller.

There are two main players: cop Michael, ex-cop and ex-convict Luca. On the side there’s Louis Armstrong (that Louis Armstrong) and his friend, aspiring detective Ida. The Axeman at first seems to target only Italians, until he doesn’t. Minorities are pointing fingers at each other, the mob is involved and there’s a lot of layers only amateur sleuth Ida seems to have a clue about. But she’s mixed race, so no-one, and no-one will listen to her.

New Orleans is a character of its own. It might discard rules and morals, but that means it’s dangerous and dog eat dog as well. It’s a mean old lady, as one of the characters puts it, and one with iron teeth as well.

The case gets solved, but the reason for it even existing is more gruesome and interesting. A dark, humid story.

The Axeman’s Jazz, Ray Celestin, Mantie 2014