After finishing this, I don’t know if I should go change all my passwords, or share them with loved ones. Searching is a search through your digital and online presence, and it shows first of all how easy it is to get to everything you share and secondly all the traces you leave behind.
The search mentioned is by a father for his teenage daughter, and it’s completely shown through iMessage, FaceTime, live news items etc. At first it feels a bit gimmicky, does one really use FaceTime that often, but quickly it becomes uncomfortably intimate. Not just the father scrolling through his daughter’s videos and texts, but also the endless surge of stimulants; hashtags, texts, chats, videos, messages. Give everyone involved time to think, please.
The movie threw me a few times, using red herrings that only add to the feeling of discomfort. As said above: I don’t want to experience all this, but I don’t know how to prevent it either. Except for some decisions to make, but that would spoil the clue.
Searching, Sony Pictures 2018
Mama often talked of this house when I was a child, and of its squirrels with particular fondness.
For a book of less than 400 pages, this took me quite a long time to finish, mostly because the first 100 – 150 pages are so hard to get into/through. It’s one of those books that are readable when you found the flow of the story, but aren’t particularly called to it, have that feeling that you want to read it whenever you can.
I picked this because it tells about Australian colonists and their relationship to Aboriginals. This – plus the endless, time correct misogyny – makes it often an infuriating story.
The descriptions of life in the Coorong and the backbone of main character Hester balance this out often enough to keep you reading, but it still isn’t an easy, light story. Salt Creek offers a frustrating view on Christian missionaries, traditional ideas that still hurt women and racist views that have never left (since).
View it as an informative slice of life, not as accessible entertainment.
Salt Creek, Lucy Treloar, Picador 2015
De film is indrukwekkend Nieuw-Zeelands, en niet alleen door de omgeving en de humor. Misschien is het omdat ik het herken, misschien is het omdat ik ander werk van de regisseur heb gezien (Thor: Ragnarok, What We Do in the Shadows). Hoe dan ook, het is ‘indie’ maar dan nog net een beetje anders. Droger, waarschijnlijk.
Terwijl het onderwerp van de film het makkelijk een slopende tranentrekker had kunnen maken. Een pleegkind krijgt een laatste kans; op een klein boerderijtje in de middle of nowhere. Hij is een ongemakkelijke puber, maar zijn pleegmoeder breekt er snel doorheen. Zijn pleegvader niet.
Laat dat nu degene zijn waarmee hij vandoor gaat om te voorkomen dat hij de jeugdgevangenis in moet.
Een groot deel van de film speelt zich af in de wildernis, met maar twee acteurs, maar door tempo en dialoog wordt het geen moment rustig. Beiden komen uit hun schulp omdat het wel moet, hoe pijnlijk het ook is.
En zo klopt van begin tot einde een hart in deze film. Met af en toe zulke gortdroge momenten dat dat hart even de hik krijgt.
Hunt for the Wilderpeople, Piki Films 2016
So, the thing is, I come from the world we were supposed to have.
If the main character wouldn’t have been female, this book wouldn’t have been published or written of as chick lit and get none of the acclaim this one had. And ‘acclaim’ here is the categories my CloudLibrary put it in, so maybe it’s only Canadian acclaim, but still.
Anyway. I picked All Our Wrongs Today because it was time travel with a bit of The Jetsons and environmentalism sprinkled all over it. What’s not to like about that?
Well, probably the fact that all that is merely a background for half of the book, because protagonist Tom just whines about his life, his family, his actions (and inactivity), his life, his family and how his original surroundings are so much better than where he’s now. Mixed through that the reader gets a few female characters that are clear points to hang the plot on: mother, ex(es), (unattainable) love of his life.
But wait, it’s not just the women in Tom’s life that are merely plot points!
And like that, the reader might start hoping for Tom to time travel into nothingness, rendering this entire disappointing story non-existing. Or at the very least with 80 percent less navel gazing.
All Our Wrongs Today, Elan Mastai, Penguin Random House 2017
Why did Mindi want an arranged marriage?
And yes, the erotic stories are shared. Just because of the title, I expected comedy, some coming of age and Learning Life’s Lessons, but I got much more. It’s a credit to Jaswal’s writing that I wasn’t disappointed by that, sooner the opposite.
Yes, there’s definitely comedy, and main character Nikki (Mindi’s sister) needs to discover what she wants to do in live and how she’ll do that without hurting her Punjabi family (and surroundings, in a way). This is definitely a story about the two lives immigrants/children of immigrants live, but it’s never just that. Nikki thinks she’s going to teach the widows Creative Writing, the widows prefer to share their creativity in another way.
Alongside that is a plot line that at first might feel tacked on. Missing girls, bitter feuds, really? But then it all starts to connect and this isn’t just a comedy any more, this is an all too realistic calling card to look at misogyny. Suddenly the tempo is picked up and the reader has to juggle several plot lines colliding.
But as mentioned before, Balli Kaur Jaswal does it well. Making this novel all-round entertaining and informing.
Erotic Stories for Punjabi Widows, Balli Kaur Jaswal, Harper Collins 2017
It is nearly dawn, and the semi-darkness casts strange shadows along the footpath.
Do you need to use trigger warnings when the trauma shown is part of history? White Chrysanthemum is about (Korean) comfort women, used in the Second World War. If you don’t know what that means, it means rape.
White Chrysanthemums are flowers of mourning (for the Koreans), so don’t expect a clean escape as a reader either. This is a story of one of the many, both of the side of those left behind and those taken.
And yet, or maybe because of that, Mary Lynn Bracht manages to show such an appealing, visually attractive and easily to envision world and surroundings. Maybe to show that through it all, the environment will continue existing. Maybe to show that no matter how ugly the actions of humans, the world will keep turning. Maybe the author is just really good in descriptions.
The stories of Emi and Hana are worth your time. Not just to learn, but maybe also in a way – to mourn. That they were far from the last female victims of war crimes, even if it was less than hundred years ago.
White Chrysanthemum, Mary Lynn Bracht, Chatto & Windus 2018
They were saying that all appointments were canceled, indefinitely, that it was the end of everything, but why would they assume that?
Last time I read this author I wasn’t quite sure how to recommend the book, and this time it isn’t much different. There’s an appeal to his writing, but the story? Not just a collection of too human people (you start with the honeymoon phase and you end up wanting to throttle them), but mostly not much happens? So why would I still, pretty surely, recommend this novel?
Maybe because it offers an uncensored view of “normal” Americans outside one of the well known states. Small town in Massachusetts in the aftermath of 9/11, but soon moving their attention back to their small town politics and each other. Not even the rich outsider can change that (permanently).
I like family sagas, following the same people through time and (family) issues. Usually I try to pick less familiar surroundings than western society, but these people are so alienating in their paranoid and petty thoughts, that things turn out pretty exotic after all.
The Locals, Jonathan Dee, Random House 2017