Introduction to Sketch was held in Prebble Hall, a building Professor McIntosch called “Ballister’s dirtiest secret” during our first class.
The turn around on this novel is incredibly impressive. It took me three – four chapters to change my mind about abandoning it, it’s incredibly ugly and depressive and scary and I think I’m even angry after(/about?) finishing it. It’s also one of those books you just want to press upon everyone just to see if they had the same experience, if it can touch different people in the same way.
Its ugli- and darkness might be its winning element, it creating a story that dumps you outside of daily life and makes you wonder how you can ever participate again. It isn’t ugly like a Gillian Flynn-creation, no murder here. It’s the way in which women are even less shown in fiction: dark and bitter and scared and a myriad of bad decisions while being bottomless wells of imagination and creativity.
This book isn’t to be summarised; it would fall incredibly short while at the same time preparing you for something it isn’t. To me, it was confrontational about daring to create and to create all – not just the cute stuff. About family and friendship and identity in an USA that made never have felt more filthy.
It’s a blast, it’s a terror. Read it so we can discuss.
The Animators, Kayla Rae Whitaker, Random House 2016
What a surprise: female teenagers can be shortsighted, crude and bad decision makers as well! With this film coming from the people behind Superbad and similar material, I was honestly a bit surprised that there weren’t more nudity, body-parts, and/or poop related jokes.
In Booksmart two very devoted school-going and study-religious female teenagers and best friends are shocked when they discover that you don’t need to deny yourself a life to achieve the best grades and highest accolades. Even students that *party* turn out to have great grades, which means that the two feel like they’ve wasted their high school years and need to correct it before university. Luckily there are plenty end-of-the-year parties, and a party is what will change everything (they’re still teens, after all).
What follows are American Mr. Bean-like situations that sometimes go on too long, but at the very least gives the young women involved (and one man) room to show that they’re people with flaws and ups and downs and that sometimes you have to do something to discover if it’s someone you are/want to be or not.
That’s also what gives the film its charm: stereotypes are (slightly) dismantled and there are enough believable situations and actions that won’t make you wonder how far away writers are distanced from teenagers and high school.
Booksmart, Annapurna Pictures 2019
6 x 25 min.
Ik weet dat ik recent nog iets heb aangeraden waarvan ik hoopte dat jongens/mannen het zouden kijken, maar ik denk dat dit echt té meisjesachtig is.
Terwijl het niet eens een show is waarvan ik zou zeggen dat het alleen maar over meisjesachtige dingen gaat. De vier meiden gaan naar een nonnenschool, proberen onder huiswerk, vervelende klusjes en straf uit te komen (op creatieve manieren), gaan naar feestjes, hebben ruzie, allerlei tienermateriaal. Het aanhangsel van de groep is zelfs een tienerjongen (arme jongen, hij is Engels tussen al de Ieren).
Het fijne is dat er geen moment excuses worden gegeven voor hun (vrouwelijke) acties. De vier zijn een stelletje tieners met verschillende motivaties, soms gruwelijk irritant, maar nooit “omdat het meiden zijn”. Combineer dat met de setting (tijdens de Ierse Troubles) en je kunt het bijna een antropologisch-geschiedkundig project noemen.
Maar eigenlijk is het vooral gewoon hartverwarmend en opvrolijkend, zelfs als ze irritant zijn. En met zo’n klein aantal afleveringen ben je er doorheen voordat je door hebt dat je ze allemaal lief vindt, zelfs Erin.
Derry Girls, Netflix 2018
Amber Patterson was tired of being invisible.
This was insanely fun, until it got serious, and then luckily got fun again. A story like a roller-coaster, no matter how big a cliche that is. It’s fast, gets a bit scary/ugly at some times, and gives you no break from it.
It starts out with Amber, who’s planning to take a rich woman’s husband and with that, a woman’s life. Take over, there’s no need for murder, although Amber definitely has some murderous thoughts from time to time. She feels grossly neglected by faith and luck and life, so honestly – shouldn’t she grab whatever she can?
Then there’s Daphne Parrish, the delicate rose whom refuses to recognise how good she’s got it, no matter how often she says she does. It’s easy to view Amber as a bit of an angry Robin Hood, but the Constantine sisters (the author exists out of a duo) flip that around, having the reader end up in the ugly part.
And all this with such a tempo that it feels like the story is being poured straight into your brain. I honestly can’t remember downsides to it; it just leaves you with such a ‘FUCK YEAH’ feeling that blemishes are blown away.
The Last Mrs. Parrish, Liv Constantine, Harper Collins 2017
Well, never a dull moment. Not that I expected anything else, the trailer was already filled with peeing in public, sexual innuendos (and just plain comments), yelling, laughing and loud messes. You saw it with The Hangover and the dozens of similar movies, now it’s the turn of the girls.
As in every buddy-on-the-road movie there’s familiar types for everyone to recognise themselves in. The loud one, the disillusioned one, the boring one, the one (seemingly) complete in control. They haven’t seen each other in years because of some disgruntlement(s), served up whenever the speed needs to be picked up again.
Sometimes it’s a bit too loud and too crass, but the majority of the time it’s the silly fun that’s almost always welcome. Also; try to catch it in the cinema (or a large(r) group), the crowd definitely completes the experience.
Girls Trip, Universal Pictures 2017