All of the coastline of Sri Lanka is indented, mysterious, and beautiful – but not place is more mysterious than Batticaloa.Amnesty, Aravind Adiga, Picador 2020
I finished this not long after watching White Tiger, the film that’s based on Aravind Adiga’s previous novel. Without much of a plan – it just came together like that.
Amnesty poses the question about how to follow the law when you’re not following it to start with. Sort of. Danny has overstayed his visa in Australia and is viewed as an illegal immigrant, but he also thinks that he knows who the murderer of one of his cleaning clients is. Will his wrong be righted by doing the right thing?
I was embarrassed by the amount of time it took me to recognise that this isn’t a crystal-clear-cut situation. If you’re viewed as illegal, society thinks it owns you nothing and will throw you out as soon as you’re noticed. One good action won’t outbalance the horrible (air quotes) action of you outstaying your welcome. Danny flits through life and always has to wonder where the hits will come from. He’s surviving, not thriving because he’s invisible – not seen by authorities and government, moving below the surface.
You can’t yell at him to stop picking up the phone and go to the police right away: he’s just trying to keep his feet on Australian soil.
Only idiots aren’t afraid of flying.One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul, Doubleday 2017
I didn’t know about this woman’s existence before reading this collection of articles/slices of life. Possibly it was the title that caught my attention, and I always consciously try to read more by women of colour. Another thing I appreciated was how her view of India juxtaposed with the one mentioned in The Far Field. As someone who wants to visit India one day, it was nice to hear that it’s not an unsafe for white people pile of trash after all.
But I deter; this is about Scaachi Koul, not me. A Canadian woman with Indian parents and the body, hangups and cultural differences that come with it. She discusses these in a dry tone and also explains why: women have little room – women of colour even less to have any kind of emotion that isn’t desired.
In under 200 pages she shows both her life as that of an immigrant daughter, a brown woman in Canada, just another person growing up.
Some articles are very recognisable, some might make you cringe. As far as insights go: consider me further insighted.
The first time I saw Cecilia, she was the only other black girl in our small group during freshman orientation.
I like pleasant surprises.
After a frustrating couple of hours concerning my e-book reader app, I ended up with Libby. To make sure it was the app and not my tablet (six years old), I borrowed something to make sure the novel would show. How to Love a Jamaican was that novel, and it showed.
It’s also a collection of (short) stories, for those that are apprehensive about those (like myself). They all involve a Jamaican, Jamaica and love in some kind of way – self, family, friendships, romantically.
I know that PoC authors and their stories are all too often described as “colourful” or “vibrant” so I’m going to refrain and say that these stories were fun, even when they subject wasn’t. There was a certain kind of life in them, even when you can’t recognise the situation mentioned. Immigration is a part of these stories, but not the story, and – what a surprise – all protagonists go through the same things people in white authored stories go.
All in all, this was a great start with my new reader app and it better continues delivering.
How to Love a Jamaican, Alexia Arthurs, Ballantine Books 2018
Let me begin again.
Golly gosh, how to explain this? It’s a memoir, it’s a fever dream, it’s an obituary – maybe? And did I like all of it, any of it, only the parts that I read at night? It was, in a way, beautiful, though. A kind of experience hard to put into words.
On Earth We’re Briefly Gorgeous is one of those titles that seem to be singing around in ‘Serious Reader’ circles for a while. It’s not loud enough to feel like it’s been hyped, nor is a celebrity book club attached, but there is the vibe of “Haven’t you read it yet?” around it. To me, anyway.
Ocean Vuong wrote poetry before, and it shows in his descriptions, his look on life, how it feels like he weighed every word before putting it down. It’s in juxtaposition with the subjects he writes down: the suffering of his grandmother and mother, the lack of family, being an immigrant child, being the only different one while growing up. All of it feels absolutely anchor-less.
Can you have an opinion about something that runs through your mind like sand through your hands? I’m sure you can, but I’m just going to stick with ‘an experience’ and a weird feeling of honour that Vuong allowed you in.
On Earth We’re Briefly Gorgeous, Ocean Vuong, Penguin Random House 2019
“Miss Wong, you’re seriously ill,” the neurologist in a midtown office said, preparing to offer me a sympathy tissue.
Has it been more since a month since my last use of ‘truth is stranger than fiction’? Because Lindsay Wong’s truth is far stranger than fiction. A Chinese-Canadian woman that grows up in a family that is rife with mental illnesses and superstition, but completely refuses to acknowledge the first one and follows the second one in (self)destructive ways.
It’s always interesting to have a look behind someone else’s door, and I always try to learn more about contemporary Asians (immigrant or not). In this case, I felt like I was just gaping a lot at the page, because is this how it goes? Or is this solely the impact of the denial about mental illnesses? And is it bad that I laughed (in disbelief) so often?
Because there’s drug dealing neighbours that pay their neighbour’s children to hang out with theirs, disgusting-sounding meals, insults viewed as different level of endearments and barely a plain, ordinary family member with an ordinary, healthy life around. Lindsay isn’t easy to love either, but gosh darn it, no-one should grow up in such an environment. And I don’t ask for it often, but: I’d definitely read a sequel.
The Woo-Woo, Lindsay Wong, Arsenal Pulp 2018
Why did Mindi want an arranged marriage?
And yes, the erotic stories are shared. Just because of the title, I expected comedy, some coming of age and Learning Life’s Lessons, but I got much more. It’s a credit to Jaswal’s writing that I wasn’t disappointed by that, sooner the opposite.
Yes, there’s definitely comedy, and main character Nikki (Mindi’s sister) needs to discover what she wants to do in live and how she’ll do that without hurting her Punjabi family (and surroundings, in a way). This is definitely a story about the two lives immigrants/children of immigrants live, but it’s never just that. Nikki thinks she’s going to teach the widows Creative Writing, the widows prefer to share their creativity in another way.
Alongside that is a plot line that at first might feel tacked on. Missing girls, bitter feuds, really? But then it all starts to connect and this isn’t just a comedy any more, this is an all too realistic calling card to look at misogyny. Suddenly the tempo is picked up and the reader has to juggle several plot lines colliding.
But as mentioned before, Balli Kaur Jaswal does it well. Making this novel all-round entertaining and informing.
Erotic Stories for Punjabi Widows, Balli Kaur Jaswal, Harper Collins 2017
He’d never been asked to wear a suit to a job interview.
First of all, I’d like to mention that this is a book from Oprah’s Book Club. Mostly because the ebook file I had, would mention it in the most random ways.
Anyway, I discovered that my Ottawa library had another online service, which finally got me this one. Express, so I had to finish it in seven days. I finished it in two.
Behold the Dreamers is about the American dreamers, the immigrants who enter the country (kind of) legally and overstay their welcome in hope of a better life for themselves and their family. Jende and Neni are from Cameroon, escaping their town because of disapproval of their relationship and with dreams of more. For such a long time things go well (there is a job, education, money shared left and right) that the reader can almost get comfortable; maybe this family is the one that will slip through.
The story plays out during the start of the financial crisis. With Jende being the chauffeur of a high up Wall Street man, it’s clearly shown that suffering can always reach another level. The book is so full of (naive) hope that it gets tougher and tougher to swallow that the dream may just stay that: a dream.
Behold the Dreamers, Imbolo Mbue, Random House 2016
Afterward, he tried to reduce it to abstract terms, an accident in a world of accidents, the collision of opposing forces – the bumper of his car and the frail scrambling hunched-over form of a dark little man with a wild look in his eye – but he wasn’t very successful.
And the prize for Most Depressing Book read in January goes to.
The tortilla curtain is the border between Mexico and the USA. The Tortilla Curtain is about the people on that thin line that just want to have a comfortable life, but are prevented from having it by paranoia, racism, and society. The one side is simply much more privileged than the other, but don’t let that fool you into thinking they could have an easier life (add a note of sarcasm here).
I had to read this one for school, because we’re doing a course called Aspects of the USA and well, racism definitely is one.
The book’s well written, luring into supporting one side until everybody just shows how ugly their thoughts and prejudices are. The one side is just allowed more, under the guise of honesty and worry. It’s over twenty years old, but the story can definitely be retold today.
The Tortilla Curtain, T.C. Boyle, Bloomsbury 1995
Hallelujah, another romcom. With some coming-of-age elements. And fish-out-of-water, because this romantic comedy largely involves an immigrant family in the USA. Which means there’s people of colour involved as well, score! I know this could be read as sarcastic, but I feel like romantic stories are even more often super white than other movie genres.
Kumail and Emily meet when he’s doing a standup show, both decide that this meet up is going to be an one time thing. Good thing we know there’s way too much chemistry between the two of them to believe that.
Romantic gestures, fights, breaks ups and make ups are (mostly) thrown aside for a much bigger game changer: Emily becomes seriously ill. How does a relationship work with/around that?
Kumail goes through some Life Lessons, while Emily is (more) fleshed out through the presence of her parents. It’s their chemistry that doesn’t make you ask too much questions, just look at the darn cute of them. The other characters are everything you need in a romantic comedy.
The Big Sick, FilmNation Entertainment 2017
He remembered that by then he was worn out from fighting the wind.
Sometimes you are simply (already) invested in a novel because you struggled to get it. Or like ‘struggle’; it’s not like I had to climb trees and survive the Sahara to get to it. It was just a tough-to-acquire eBook with a picky view of in which app to work. Anyway.
This was an experience, opposed to just another novel. Maybe I’m simply not used to Asian actors and their certain style yet, maybe it was simply because the jumps through time got me bewildered a few times.
There’s over a century of stories within the family, from second(/third/fourth?) cousins to daughters-in-law, first sons and grumpy (great-)grandmothers. A Chinese family in Canada, Chinese-Canadians and the Chinese family members left behind in the other country.
It’s a family tree book with immigration, racism and sexism mixed in. The not-western point of view doesn’t alienate, because everything that happens is simply too familiar. Everyone’s got a family, some roots just grow further and wither slower.
Disappearing Moon Cafe, Sky Lee, Douglas & McIntyre Ltd. 1990