“What right has this woman to be so educated?”The Education of an Idealist, Samantha Power, Harper Collins 2019
Pfew, this is a big one. I put this one on my list because I was curious about looking behind the curtains of the White House and the NATO, but those parts were the ones that made me lose (some) interest.
The idealist in question is Samantha Power and this book is her work memoir. Her resume includes foreign (war) correspondent), several functions within Obama’s team, author and US representative at NATO. Yeah, she went places.
All her experiences and insights into different systems are sad, frustrating and terrifying and they’re so many of them. Hundreds of pages on how American political actions work, sometimes even repeated (maybe to show how slow and grinding the system is?).
It’s all interesting, and I wouldn’t have had a deadline I might have spend more time on it, but for one week it’s just too much. A sharper edit, a tighter story telling or just more darlings killed might have left me feeling less relief when I finally reached the acknowledgments.
Dat is two out of two voor Duitstalige films. Deze laat minder vragen achter, meer frustraties. Nee, geweld moet je niet met geweld beantwoorden, maar hoe anders bevecht je Nazi’s en hun gedachtengoed?
Luisa is nieuw bij een antifa-beweging, maar wordt al snel meegesleurd in grotere, aggressievere bewegingen. Waarom wordt nooit heel duidelijk, dat dit niet het gewenste resultaat (van de beweging en van haar) oplevert wel.
In een ruime twee uur zie je dat goede bedoelingen naar hel leiden, bijna iedereen machteloos is en mensen altijd erger kunnen. Daar zit je met je goede gedrag, want Luisa maar ook de andere karakters zijn leeg genoeg om jezelf in hun schoenen te plaatsen.
I don’t like it when people make hyperbolic statements, so I really mean it when I say I’ve been waiting for this day my entire life.The Voting Booth: Make it count, Brandy Colbert, Hyperion 2020
A YA-novel that wants to tackle the American voting system, (and) voter suppression. While adding a budding romance, because would it be YA without a romance?
Brandy Colbert manages to pull it off for her target audience. Older eyes may be rolled because of ‘found-love-in-a-day’, or Marva’s utter devotion to improve the system, but for those of her age it might well be uplifting and motivating. And the novel is almost as run-on as that one sentence.
Yet it never gets overly preachy, nor naive. Marva wants to help someone to vote, and discovers how hard that can be. The person she helps is a cute guy, but that’s only a slightly distracting factor. Something else sabotages her, but the story turns convoluted nowhere.
As a teacher, I’d definitely view this as an option to educate about the (American) voting system, but as a softie for teen romance I’d definitely recommend it to everyone who wants a not-saccharine shot of that.
13 x 60 min.
It’s no secret that I enjoy family epics, be they written or on screen. It’s a way in which writers (and actors) can show how much they now about character-creation, and if done well, can shove plot and world-building to the background. In the case of Queen Sugar, that isn’t done exactly – the cinematography of this show alone is making it worthwhile to watch.
In the beginning everything is clear. Three siblings come together because of a family emergency and disagree with each other on everything. Something happens, and they’re stuck together longer than desired. It’s the acting of everyone involved – down to the young boy – that makes you actively root for them to find each other again, and get what they desire.
Queen Sugar plays out in and around Louisiana, shown in such luscious colours that the few times in and around Los Angeles feel flat and fake. It’s clear that this state is another world, and some siblings fit in better than others.
It’s of little importance if they siblings learn that they work best when together and if they get what they want in the end (although I’ve learned that there’s four seasons, so who knows what will still happen?). Solely the looking and listening might be enough for you to enough this first season – which does fine on its own.
Queen Sugar, OWN 2016
I am thirty years old and that is nothing.
This library haul had a 75 percent success rate, with The Far Field being the concluding chapter (heh) of that rate.
And – as it sometimes is with good stories – with this one it’s hard to put into words what exactly is good about it. It’s not like the naive, spoiled protagonist is easy to love, nor are the other characters particularly likeable. The plot could well be called Eat Pray Love with poverty tourism, so honestly, Madhuri Vijay had the stacks against her.
But there’s so much humanity in these characters and their stories. The randomness of things, people and situations brought together and bringing the worst or the best out in each other. You could say that the protagonist leaves a trail of destruction behind, but does she even have that kind of power? What is there to destruct in a war zone?
This book is coming of age, a rapport of ordinary life in contested country, a confrontation with bias. It’s written in such an appealing way that sometimes the plot arrives second because you’re just enjoying the words.
The Far Field, Madhuri Vijay, Grove Press 2019
It wasn’t until my second year of university that I started to think about black British history.
I guess August was for non-fiction, or that This Lovely City just put me in the mindset to learn more about black British history. Because of course, of course – in some way you know that the islands aren’t an utopia for black and brown people, but how much of black history is focused on the USA (effectively making it possible for Europeans to dodge any responsibility?)? Turns out – when it comes to my knowledge – a lot.
Don’t write this title off as a history book now (why would you write off any book because it has history, you don’t love history?), because as anything involving people; history is just one part of it. As Eddo-Lodge explains it probably better than I do: intersectionality is a thing, and you can’t discuss a human issue without looking at the place where it intersects.
So, this book is about history, about feminism, about the media and white privilege. It’s about health and education, and every other part of human life. In clearly cut chapters, in clear language, Eddo-Lodge doesn’t only answer the title’s question, but also explains to you why you should take responsibility regarding it.
And just like that, I’ve got my first book for my students to read (from).
Why I’m No Longer Talking To White People About Race, Reni Eddo-Lodge, Bloomsbury 2017
There are two kinds of people in the world, those who leave home, and those who don’t.
Layers upon layers to uncover and think about in a book that could just be summarised by its title: yep, it’s about a marriage. Between Americans. But these Americans are Black, one of them is wrongfully incarcerated and what is a marriage if it’s largely between people of one is in prison?
This way, Tayari Jones looks at the prison system, racism, the institution of marriage, the first ones in families to go study and the burden that comes with it. This is a story that creeps under the skin, leaves you staring in the distance afterwards – empty and fulfilled at the same time.
Because what would have happened if Roy wouldn’t have been locked up? The marriage wasn’t perfect, but which one is? What if they would never have married? What if they would have grown up in another state or even another country? In what ways is the USA to blame for this entire situation? How is ancestry to blame (if so)?
It’s a testament to Jones’ writing that none of this adds an essay-like feeling to the novel: it’s a story first. A painful one, with glimmers of hope.
An American Marriage, Tayari Jones, Harper Collins 2018
I’m not a fan of comedians and their shows. Usually it’s too long, and there’s too much secondhand embarrassment to balance out the funny parts. I rejected several of the recommended shows on Netflix: some I couldn’t even handle for ten minutes. But I was cleaning up my list, this was the last remaining one – okay, I’ll try it.
The last comedian show I watched on Netflix was Hannah Gadsby’s. There’s barely no comparing here, which is good for both parties involved.
Wanda Sykes is about American politics and her personal life as a wife, a mother and a woman going through menopause. It’s stone cold sober with a large amount of questions: not very strange considering the subjects.
My biggest relief was that she doesn’t do the thing most male comedians do: wait for laughter. Sykes doesn’t go out with the aim of Being Hilarious – it’s her story telling and her subjects that make you snort.
And talking about length? I only checked how much time I had left once.
Wanda Sykes: Not Normal, Netflix 2019
In 2010, after six years of training and a further six years on the wards, I resigned from my job as a junior doctor.
There’s very little joy to be found here, but heck – even the title tells you that. Besides that, it’s non-fiction and about the NHS (Britain’s national health). Even if you don’t know anything about that subject, the sum of these must ring a small alarm bell.
Adam Kay isn’t a doctor anymore, and these are his diary notes that have led up to that decision. Mostly it’s terribly politics and how hospitals deal with it, but patients don’t go scot-free either. This way even the awkward giggles feel bad because there’s lives at stake here and only those that can’t do anything about it, seem to care.
There are bits when Adam sounds a bit too full of himself, and maybe some more background would be nice, but this is a man’s personal story. Use it as motivation to do your own background research. If you’re sure that you want to know more about the state NHS is in, anyway.
This is Going to Hurt, Adam Kay, Picador 2017
Most of recorded human history is one big data gap.
Good gravy, just when you thought you already knew, things turn out to be so much worse. Next to a sexist gap in pay, safety and health there is a huge one in the thing that drives pretty much all of society: data.
Why is the default ‘he’? Why is there still a riddle about a doctor whose husband died, and why do too many people involved with design viewing women as ‘men with boobs’? Well, because societies worldwide have made it so, and not enough people in powerful positions protest it. And it turns out to be lethal for women.
Invisible Women isn’t particularly uplifting material: there’s just so many numbers and anecdotes on things that went wrong and are going wrong and men not giving a damn about it. How do we rally for change when the entire history of humanity is against us?
Because in some cases and in some countries things have changed and are changing. And you can never change something you don’t know anything about. And because it might save your life to know.
Invisible Women: Data Bias in a World Designed for Men, Caroline Criado Perez, Abrams Press 2019