Kärleck och anarki

8 x 30 min

Unlike the protagonist of my previous review, Sofie and Max have clear reasons to be maladjusted, rude weirdos. Most of the time. They also get much less flack from me for this because they’re funny and pretty attractive. Just being honest here.

Sofie is a married mother who’s brought in as a consultant at a publisher. Max is the IT-guy. They give each other weird assignments. The assignments escalate. So do feelings. So do their lives.
And it all plays out in Stockholm, so the escalations are all with subtitles.

This is romance, slice-of-life, coming-of-age without any Life Lesson beating you over the head of soundtrack telling you what to think. It’s quick (eight episodes), funny, sad and fresh.

Anarchy might be a big word, but it’s something different; in a good way.

Recently watched

A collection of films that definitely show my versatile watch list and/or all-over-the-place taste.

Jane Wants a Boyfriend – romcom with the main character being on the spectrum. The acting and dialogue isn’t all that, and some dialogue is (quite) outdated, but changing just one element shows that that you don’t need much to add a bit of fresh air to the genre.

If anything happens I love you – twelve minute animation about parents of a child killed in a school shooting. In case you need a quick sob.

My thoughts during Bloodshot:
– why is Vin Diesel still trying the humorless tough guy thing?
– Did Amalfi (Italy) get some kind of Hollywood deal? It’s everywhere!
– The villain gets a musical number?
– Woman fridged? Check.
– Don’t watch this if you’re not good with creepy crawlers.
– At least there’s no pretense here: this is for everyone who wants six minute long action scenes, again and again.
– A twist! Without a satisfying pay off!
All this could have happened in the early 2000s, but I guess companies weren’t clamouring to turn every comic book into a mediocre action film then.

Trust Exercise

Neither can drive.

Trust Exercise, Susan Choi, Henry Holt and Company 2019

What an utter load of twatwaffle no doubt disguised as High Literature because there is a load of teens fucking in it, it described in all kind of visuals and all this done by a female author.

What a disappointment. This is one of those titles that drew my eye, lost my attention because of the summary, only to regain it because of a solid review – I think (I can’t even remember). This isn’t just a love story between different worlds, there is A Twist and boy – hold onto your panties for that one! When does the twist happen? In the last forty pages out of the 250. Is it satisfying and/or satisfyingly explained? No. Are there any explanations for the behaviour of these Cool Guys and Girls? Barely. Is all this written in such a way that you understand that this is DEEP? Sadly, yes.

Boo, I hate such a severe disappointment. The twist could have done something, but I was browbeaten into absolutely passive not-caring long before that. Yes, I’m going to make a bad pun to finish this off: this trust exercise failed massively.

Recently on Kanopy

A summary.

Free Fall (Freier fall) “The German Brokeback Mountain“. Sweet, sometimes sexy, but sadly also straight from the Gay Drama Clichés Play Book – including biphobia.

Kedi a Turkish documentary about the special connection the city Istanbul (and its inhabitants) has with (street) cats. Prepare yourself for burly men softened up by kittens, beautiful shots and a whole other view on Turkey.

What will people say (Hva vil folk si) shows a Norwegian teen getting the short stick in the culture clash between I- and we-cultures. It’s sad and frustrating and completely carried by the main actor.

As it is in Heaven

128 min.

As mentioned before, am I right now enjoying a Kanopy-account as if whatever Netflix provides isn’t enough. I vaguely remembered this name as being good, maybe? Or interesting, possibly? But sometimes you can’t decide what you feel like and films like that fit the bill precisely.

As it is in Heaven is a Swedish film (so subtitles!) with a common trope: stranger moves or returns to small town, changes the lives of absolutely everybody. It has been done, it has been done well. In this case it’s definitely a ‘done well’. It seems like the writers took pleasure in steering towards cliches, only to avoid them at the last moment. Here no characterisation just for laughs or sadness, but all people that are recognisable as people opposed to ‘small town character number 5’. There’s no shying away from more serious subjects, and even though this is an ‘old’ (2004) film, it doesn’t feel outdated.

In all honesty, it surprised me how easy to watch it was, how genuine it all felt. The one thing that made me squint a little was the main couple; it felt like quite the age gap and I never care for those.

Pride

It’s a truth universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up.

Pride, Ibi Zoboi, Balzer + Bray 2018

It’s embarrassing how angry this book made me. At myself. Being confronted with racist, classist and other thoughts wasn’t what I was suspecting from reading a YA retelling of Pride and Prejudice, set in contemporary Bushwick (New York City, USA).

So, first of all: “Why has it to be such a big family?” Because it’s just like the original material.

“Why is protagonist Zuri so angry and unyielding all the time?” Because she’s a teenager, of colour, gentrification and poverty.

“Why doesn’t Darius try harder to fit in with the majority?” … and this from a person that proudly called herself ‘alternative’ in high school. Shame on me.

Good thing is that all the frustration was directed at me, because I feel like Zoboi did really well with this. It’s no carbon copy, there’s all the right emotions and worries (now fitting because of puberty and a quickly changing surroundings), and Bushwick and its inhabitants as a welcome third party. Which such people, no wonder Zuri is willing to fight.

A novel like this is the YA that should be heavily promoted and adapted, instead of book 234 out of the CC club. Because a good story comes with insight (of the self), which is a good thing for all ages.

Sex and Vanity

Dearest Lucie and Charlotte,

Sex and Vanity, Kevin Kwan, Doubleday 2020

Yes, the author of Crazy Rich Asians and the rest of them.

Is it fair to judge a book like this on more than its promise and if it’s delivered? Like a “real” novel? Well, there’s different kinds of judging of course, but what if I just mention what’s going on?

The plot is an enemies-to-lovers trope. Although the hate seems to be one-sided, and isn’t very clearly motivated. He wears speedos and looks good in them? He’s different from other men and makes her feel things? Okay, I guess?

But maybe that’s because of my next point: characterisation. It’s not great. For any of them. Every character gets one trait, and most are high in clichés.

Surroundings? World-building? Yes, ma’am! Here’s what we came for: Kevin Kwan is a who’s who and what’s what on riches, royalty, relationships and rumours. It’s lavish and lucious and enormously over the top all the time. It’s empty glitter filled with names you might not even recognise, but it all sounds very glamorous and filthy rich.

Just read quickly: there’ll be too much sparkles in your eyes to notice the things lacking.

Spoiler Alert: the Hero Dies

Our relationship was over before it began.

I’ve read another memoir. Maybe it reads easier when you don’t know the person writing it, or the recent ones just were written entertainingly and well. I’m guessing the truth is somewhere in the middle.

Michael Ausiello is an entertainment writer, and this story is about how his partner dies. With a title like this there’s little surprise to the ending of his story, but Ausiello manages to write it in such a way that you start to doubt that title – the man knows what works to keep your reader compelled, after all. So there’s chapters about the highs and lows of their relationship, the beginnings and (almost) break ups. He writes himself down while his partner is plucked from the heavens, even when he’s being quite terrible.

It’s a story very close to someone; and to recognise that these people are(/were) really alive makes it sometimes terribly uncomfortable. Should the reader be around of another round of bad news or self-doubt? Is it not too close, to follow someone’s mourning on this level?

Because Spoiler Alert is about love and loss and other four letter words, but also very much about Michael Ausiello.

Spoiler Alert: the Hero Dies; a memoir of love, loss and other four letter words, Michael Ausiello, Atria Books 2017

Heartburn

6 hours (approx.)

Read by Meryl Streep, so yes, another audio book! Good gravy, does the woman has a recognisable voice. No need to get into her acting skills here, but her reading fits this story very well.

Kind of well-off woman on her second marriage and second pregnancy gets cheated on. A lot of love for New York and little for other parts of the USA, she writes cook books, he’s involved with media and/or politics, a lot of dinner parties.

It’s juicy, rich people problems with sometimes a recipe added. Meryl Streep’s voice makes it sound like you’re listening on the traumas of a rich, eccentric aunt who – when she’s isn’t full of self-pity – has some snarky oneliners and a nice eye for details (this audio book definitely painted a lot of pictures in my mind). Here, the addition of the right reader, definitely elevated quite a common (but entertainingly written) story.

So, if you want to enjoy an Ephron-production just a little bit more, try an audio book.

Heartburn, Nora Ephron, Penguin Random House 1983 (first edition)

In Five Years

Twenty-five.

It’s not often that you don’t know what you would have wanted when a story doesn’t go the way you want to. Usually I’m sure how things could have been better: this time I just knew that this wasn’t what I wanted.

I like ‘what-if’ a lot, and that’s a large part of In Five Years‘ starting point. Dannie has a premonition/hallucination/dream about herself in five years in an absolutely different situation from which she’s in right now. And she likes this situation, so she doesn’t want that other one.

Rebecca Serle doesn’t feel like using filler and jumps almost four years to get to that dream/premonition/hallucination, but in the meantime the protagonist doesn’t evolve or become a person. Dannie feels like she came from a character generator, and her boyfriend doesn’t fare much better.

Besides the key element, there’s little development that excites as well. The first twist can be seen coming from afar, and the second turns this magic realist pondering about in what ways we can influence our futures into something.. the Hallmark channel would love for their tearjerker category.

After that, all strength is gone and it’s a good thing there never was much investment in the main character(s).

In Five Years, Rebecca Serle, Simon & Schuster 2020