For most urban dwellers, Sundays were a day of rest and relaxation.Accidentally Engaged, Farah Heron, Hachette Book Group 2021
First of all: where was the editor? Within two pages letters missing, names being spelled differently? Oof.
Anyway, the best part these days about romantic novels is the build-up and characterisation. After the two get together, especially when it’s a heterosexual couple – my interest fades.
In this case it’s (surprise) food. Reena stress-bakes and cooks, and the descriptions are good albeit overly detailed after a certain amount of pages. Faking an engagement is a fun trope as well, but because we’re only told what Reena isn’t, there’s very little investment or even emotion when things implode (because of course they do).
Maybe I should just stop trying reading romance with the aim of being satisfied.
Misschien niet meer dan verwacht, maar wel charmanter dan verwacht. Dit is een variatie op Sliding Doors: we volgen vier mensen die op een verschillende manier een relatie met elkaar hebben/opbouwen en hoe dat ver- en afloopt.
Of het nu komt omdat het een Italiaans product is: er zit genoeg passie en drama in. Ongeplande zwangerschappen, vreemdgangers, verschillende dromen enzovoorts. Wat wel leuk is gedaan is dat elke combinatie zijn charme heeft, ondanks dat de karakters als duidelijke tropes worden geïntroduceerd.
Zowel intro als outtro zijn onnodig, maar niet onoverkomelijk. Met negentig minuten is er weinig builen te vallen, maar is er genoeg tempo en vermaak om dit wel in je weet-niet-wat-ik-wil-kijken-lijstje te zetten.
Ik zeg het maar alvast: deze film heeft nogal outdated en genante ideeën over homoseksualiteit en biseksualiteit. Ook geuit door homo’s.
En toch raad ik deze film niet af, en dat zegt iets over het aanbod van queer romances.
De relatie tussen de twee mannen is aandoenlijk, humoristisch, realistisch. Laat deze variatie op Romeo & Julia je op weg naar het happy end iets leren over Zweedese politiek. Vergelijk 2010 met nu en zwijmel mee met deze sukkels.
Oftewel; roeien, riemen, etc. Als je homoseksuele romantiek wilt die eens niet in dood of ziekte eindigt, doet Fyra ar till (Four More Years) het zo slecht nog niet.
The Boston Convention Center has good security, but it doesn’t have missile launchers, which means it would have a pretty tough time defending itself against Evie Odom. Be Dazzled, Ryan la Sala, Source Books 2021
I know a story – and definitely a YA one – needs a clear villain, but Be Dazzled picking the protagonist’s mother without ever even mentioning his father somehow didn’t sat right with me.
It’s the one bother in this cute story about a neurotic, talented cosplayer that has to take his ex on in a cosplaying con competition. Of course the adorable, in the closet cool guy ended things terribly and our protagonist will never love (him) again. It’s YA, after all.
With such a title anything but an overload of glitter and loving descriptions of outfits and designs would fall short, but La Sala delivers. It outbalances the negative and circling thoughts of Raffy about himself and everything he does.
If I enjoyed it, the target audience might really run with this. I hope they do.
And the winner of overacting this Film-a-Month-Project goes to… this Netflix gem! I know, I know, easy pickings to go for the Netflix romcom, like I should expect award-worthy material but dear reader: the overacting was A Lot. For a majority of the time. I don’t give out these prizes easily.
Anyway, all this acting excellence happens because the main character – played by Christina Milian – becomes a resort singer and discovers that her next assignment at the resort is to sing at the wedding of the ex that ghosted her. While being engaged. You’d throw around your arms and your volume for lesser things.
And it’s not just her that’s doing it. Honestly, except for the love-interest, everyone seems to be in on the fun and good for them. I would rather have more of that than another excuse to get Milian to sing another song to show she can.
Another retro-rewatch review. Okay, it’s impressively white, but whew it also might even hit harder when you have experienced the urge to erase people/things from your life. While knowing that it won’t work, anyway.
Also, who still uses that kind of colouring/lighting in films these days? I felt the room around me turn more sepia by the minute. Did this film always have that home-recording quality? And I really thought that the viewer gets a moment to take it all in, but we’re just running along as stumbling as Joe does. Will he make it, will that creep keep his girlfriend, is it really better to suffer than forget?
I love it, I’m keeping it on my Netflix list.
Can I still call it contemporary when the film is fourteen years old – anyway it’s “story is based in the same time it’s been filmed”. Not changing the tag, that’s way too long.
They don’t make films like these anymore: wholesome without looking and feeling plastic. Yes, you can see everything coming from a mile away, but it still seems genuine (and all quite brown-ish, but that might just have been the 2010s). It’s also super easily-written sequel material, but I guess there’s no interest for book-focused romances in the 2020s (2030s?).
Female friends at different stages of their (romantic) lives come together for a book club. Solely for Jane Austen books, yes indeed. Time is divided pretty evenly between the four main characters, and none of the story lines are horrible and/or boring.
It all leads to an end with a dopey smile: look at books making things better. Honestly Netflix; I’ll write the sequel for you if the original author doesn’t want to.
I watched this because the animation looked lovely, and it turned out to be (it even uses different styles, and none of them the ugly Disney Pixar plastic). Good thing I didn’t watch it for the plot, because it was hard to be found. Maybe it’s a mosaic of different kinds of love? But there’s also the view from a bee?
It just shows that animation isn’t just for children. Here there’s mentions of poverty, abuse, the violence in Kashmir and the escape to a better financial life in Dubai, but also the risks that come with.
I clearly don’t know enough about Bollywood to not have expected this – I thought it was only romances and obvious heroes doing heroic things. I’m done with Indian animation for now (at least I finished this one, opposed to Punyakoti).
I did really like the soundtrack, though.
62 x 40 min
Crazy Ex Girlfriend; or how shows sometimes really need to put up a disclaimer with regards to both title and summary: no it’s not what it looks like and maybe take things literally for once.
Because it’s probably widely viewed as crazy to move to the other side of the country for someone you dated a couple of weeks when the both of you were teenagers. And it might not be up everyone’s alley to turn this element into something that needs musical numbers. A lot of them. About all kind of subjects.
Musicals make me itch.
So, I forwarded the few musical numbers, and maybe some of the scenes in which Rebecca was just too much. Awkward, honest, scared, sad – all of them.
But then. Then you may slowly but surely catch up to what’s going on. Recognise that the comedy part of this dramady may be more sour than saccharine and the drama part too hard-hitting to be comfortable. And yet: the balance stays.
Laughing, hurting, crying, cringing: suddenly Crazy Ex Girlfriend turns out to be an intelligent show on mental health and society’s ideas about romance and relationships. With smart, hilarious lyrics when they do add a musical number.
Yes, I was very surprised as well. Now – after having completed it three weeks ago – I miss the show.
8 x 30 min
Unlike the protagonist of my previous review, Sofie and Max have clear reasons to be maladjusted, rude weirdos. Most of the time. They also get much less flack from me for this because they’re funny and pretty attractive. Just being honest here.
Sofie is a married mother who’s brought in as a consultant at a publisher. Max is the IT-guy. They give each other weird assignments. The assignments escalate. So do feelings. So do their lives.
And it all plays out in Stockholm, so the escalations are all with subtitles.
This is romance, slice-of-life, coming-of-age without any Life Lesson beating you over the head of soundtrack telling you what to think. It’s quick (eight episodes), funny, sad and fresh.
Anarchy might be a big word, but it’s something different; in a good way.