They must think I don’t have long left, because today they allow the vicar in.
Bitter Orange, Claire Fuller, Fig Tree 2018
I first saw Freya at my high school.
The Swap, Robyn Harding, Simon & Schuster 2020
New template, new way of posting? I read the second book to have something different from the first (because my previously planned book was also in a historic setting), turns out I got another portion of unreliable narrator and obsessive behaviour. Oh, well.
All protagonists are female, how often does the combination of unreliable narrator and obsession happens with male characters? Frances is close to forty, while Low and Jamie are a teen and a thirty-something. The set time period is different as well, but both books end in murder (or do they?).
The Bitter Orange covers up the thriller/mayhem part better, masquerading for a long time as a story of a woman as exciting as a dry black bean in technicolour surroundings. She has to evaluate gardens of a neglected mansion and finds people who have to do something similar, but don’t really do it. They make her think that she could be technicolour, instead.
The Swap on the other hand starts out with a clear manipulator; an ex-social media influencer for Pete’s sake. She twists everyone around her pinky finger, but some you don’t want around your pinky or other body parts…
Both stories have appealingly-written surroundings, dramatic characters and don’t attempt to make you root for them. It’s train wrecks waiting to happen, with an extra point to The Bitter Orange for a more subtle lead-up to the twist.
Neither are stories that will end up on your Best Of-list (probably), but they’re good for what they attempt to be.
It’s not often that you don’t know what you would have wanted when a story doesn’t go the way you want to. Usually I’m sure how things could have been better: this time I just knew that this wasn’t what I wanted.
I like ‘what-if’ a lot, and that’s a large part of In Five Years‘ starting point. Dannie has a premonition/hallucination/dream about herself in five years in an absolutely different situation from which she’s in right now. And she likes this situation, so she doesn’t want that other one.
Rebecca Serle doesn’t feel like using filler and jumps almost four years to get to that dream/premonition/hallucination, but in the meantime the protagonist doesn’t evolve or become a person. Dannie feels like she came from a character generator, and her boyfriend doesn’t fare much better.
Besides the key element, there’s little development that excites as well. The first twist can be seen coming from afar, and the second turns this magic realist pondering about in what ways we can influence our futures into something.. the Hallmark channel would love for their tearjerker category.
After that, all strength is gone and it’s a good thing there never was much investment in the main character(s).
In Five Years, Rebecca Serle, Simon & Schuster 2020
The monster has been here.
More Charlaine Harris (True Blood and the like) than Eden Robinson, but you can’t always win,and at least I was entertained. Maybe I should have known better when discovering that there had been criticisms about this novel, but I very much enjoy the stories of indigenous people, so I was willing to risk it. On the other side, how could I have known if the author was doing something right or wrong with the very little I know about (North-American) indigenous people?
Anyway, hindsight is 20-20 and it wasn’t her representation of the Navajo – wrongfully or otherwise – that bothered me about this novel. It’s the characters, specifically the main character.
I understand that you’re a pretty tortured soul when you’ve gone through what Maggie has gone through and is still going through, but when it only leads to moping and lamenting – all the goodwill evaporates quickly. There are other characters that are more exciting, I would have loved to learn more about the world this plays out in, but instead I get ponderings-while-looking-in-the-mirror. If there would have been more sex and blood, I would have called this a Laurell K. Hamilton.
Coming down largely on the side of ‘meh’, you can skip this one for your dystopian, sci-fi and or not-just-white story needs.
Trail of Lightning, Rebecca Roanhorse, Simon & Schuster 2018
When it was first suggested to me that I write about this year, my first instinct was to say no.
I kind of feel like I have to approve of this book solely because of the achievements of the person that wrote it. And Shonda Rhimes achieved a lot, and well done to her and I hope she keeps on carrying on.
And maybe I should have been less surprised about the tone of the story with such a title. I mean, this is the second time this year I’ve been cuckolded by a book title. This isn’t completely a memoir, but it comes close it. Combine that with the subject (saying yes to more things, daring to live (a little)), and honestly – I could have seen this coming.
Of course, it’s interesting to learn about how much work Rhimes puts into everything, how determined she is and how she recognises what has to be done to get where she wants to go.
It’s kind of a chicken-or-the-egg thing: is she ‘American Dream rah-rah’ because of what she accomplished or did she accomplish what she did because she’s ‘American Dream rah-rah’?
In the end, have I decided to be infected by her yes-saying? Maybe. Temporarily. Mostly I’m still stuck on all the ways in which she describes herself, her thoughts and her actions.
Year of Yes, Shonda Rhimes, Simon & Schuster 2015
Night fell as death rode into the Great Library of Summershall.
I’m sure Margaret Rogerson hadn’t planned on setting such a dramatic scene with just the first sentence. It’d have been Death or DEATH otherwise, of course. Anyway, let’s not go off on a tangent.
I wanted some easy, accessible fantasy and Sorcery of Thorns didn’t disappoint. It even looks to be a stand-alone! And even though it’s YA pretty by the book (unlikely hero who’s Different, a dark and mysterious love interest, a funny sidekick), it doesn’t become a bother. The story doesn’t take itself too seriously, the tempo is high and there’s plenty of twists and turns to keep you entertained.
Elisabeth Scrivener (I know) was left as a baby at one of the Great Libraries and grew up in one. Books are magical creatures, but those that manage those powers are kind of feared and frowned upon. So of course, she ends up with a sorcerer after an accident, and magic becomes a large part of her life.
The clear love of books gets Sorcery of Thorns an extra star: if it wouldn’t have been so dangerous, I would have loved to have a look around in its libraries.
Sorcery of Thorns, Margaret Rogerson, Margaret K. McElderry Books 2019
Even in Los Angeles, where is no shortage of remarkable hairdos, Harry Peak attracted attention.
You had me at libraries, you from time to time lost me about the focus on not just the Los Angeles Public Library (so okay, it’s one of the main plots), but especially the background of the possible culprit and fluffy descriptions of ever person involved in any way. I would rather have seen book covers, if Susan Orlean felt like she needed to add some visuals.
But still: there is so much love for books and libraries and librarians that you almost feel yourself slip into that world that is more than only centered on books. Libraries are miniature societies, and Orlean shows it well.
So, if you’re about books, architecture, and American history through librarians – this is the book of your dreams. If just any of these categories do it for you: consider it as a bit of an encyclopedia; read a few chapters from time to time. That way, you’ll always have some time left to visit your own library.
The library book, Susan Orlean, Simon & Schuster 2018
Once upon a time, before the whole world changed, it was possible to run away from society, disguise who you were, and fit into polite society.
It’s the book that your mother loves. Or, like, the book the mothers love in movies about small, sleepy towns and antagonists that dream about a more exciting life but are told by those mothers that you shouldn’t want that because look what could happen. If someone would have told me that this book was written in the nineties, I would have believed it. It’s absolutely stale, and I don’t even mean this in a very negative way, but just because it feels like you’ve seen this movie a hundred times already. It’s comfortable, but never thrilling.
The Rules of Magic is the (“long awaited”) prequel to Practical Magic, which was a book before it was a movie with Nicole Kidman and Sandra Bullock. Both are about a family of witches, The Rules is just a few decades earlier, so you get New York city of the sixties and seventies, which might be one of the things that make the story appealing. The Owens family is cursed to destroy those they love, so it’s moping about that, destroying (unwittingly) and avoiding anything remotely looking like love. Although it seems to only be about romantic love, else there wouldn’t have been a family at all.
Anyway, there’s nothing wrong about this book, it’s not just very exciting. I wasn’t eager to read on and stay up late, and it’s been a while since I had that with a book which might have made me more impatient.
The Rules of Magic, Alice Hoffman, Simon & Schuster 2017
The end of our final winter break seems almost like the beginning of a victory lap.
Smartest title encountered this year or too thought through? Because y’all, this book is about two young book writers falling in love with each other! I think it’s cute, just as the story.
Tanner is a bisexual male teen that kind of goes back into the closet after his family moves to Utah, specifically a town with a Mormon majority. He’s not even out to his best friend, so how do you handle falling in love with the wonderful, beautiful, very Mormon TA?
It would have been easy to turn this into a pro or con story about religion and Mormons, but both authors stick close to the love story and darn, do they do it sweetly. Just like Tanner and Sebastian can’t seem to think about anything else, it’s sometimes a challenge to not discard the pages without them. Will they? Won’t they? In how many ways will organised religion ruin this?
Characters that aren’t these two sometimes get a bit the short end of the stick, but both secondary characters and surroundings make this a cute high school romance.
Autoboyography, Lauren Billings & Christina Hobbs, Simon & Schuster 2017
Film legend and ’60s It Girl Evelyn Hugo has just announced that she will auction off 12 of her most memorable gowns through Christie’s to raise money for breast cancer research.
No-one is (very) likeable in this story. Not that that is a requirement for a story (in my opinion), nor that it means that The Seven Husbands of Evelyn Hugo is less accessible and/or entertaining because of it. I’m just saying there isn’t much people to root for.
The stories are entertaining enough, old Hollywood glam with a woman who will do many things to get where she wants to go. Evelyn Hugo is the embodiment of self-made, and now, close to her death, she wants someone to write a biography of her. Journalist Monique doesn’t know why Evelyn picked her all of people to do so but don’t worry: you Will Find Out (dramatic soundtrack).
Per husband, Evelyn explains her life decisions and shares the saucy anecdotes freely. It’s a novel for those that like pretty things; romance and likeability is sacrificed for it. Is it too early to call this a proper beach read?
The Seven Husbands of Evelyn Hugo, Taylor Jenkins Reid, Simon & Schuster 2017
He could be any one of these people.
En als je dan even iets lichters nodig hebt, zonder gelijk je haar uit het hoofd te trekken omdat het allemaal zo vreselijk dom is, ga je voor een tienerromance die vanaf het tweede hoofdstuk duidelijk voor je neerzet hoe het af gaat lopen. Niks mis mee.
Hoofdpersoon Bailey is een groot fan van klassieke films, chat daarover met een leuke, slimme, vriendelijke jongeman online (Alex), en verhuist naar zijn dorp zonder het hem te vertellen, zodat ze kan ontdekken of hij in het echt net zo leuk, slim en vriendelijk is. Maar dan ontmoet ze een vervelende maar leuke jongeman op haar nieuwe werk, en wordt de vraag om Alex steeds kleiner. Oh nee, hoe zal dit nu aflopen.
Alex, Approximately voorkomt dertien in een dozijn te worden door een paar scherpe randjes die de motivatie van Bailey goed onderbouwen. Verder is het zalig zwijmelen in een surfersparadijs.
Alex, Approximately, Jenn Bennett, Simon & Schuster 2017