Edge of Seventeen

104 min.

I really didn’t expect to like this so much: just another American teen movie about a girl that’s struggling through growing up. Yes, we all did or do, boohoo. Honestly, I was expecting so little that I picked it so I could watch it with one eye on the screen and the other my book/phone/tablet.

Instead, I got a film that hit so close to home that it made me squirm. Good gravy, I was a brat. Good god, and not even an original one, look at Nadine go. Gosh darn, at least she has some solid excuse for this behaviour.

Because she does, partly – and it’s not just ‘puberty’, but I don’t want to spoil things. Hailee Steinfeld pleasantly surprised me again, all characters involved deserved their spot and managed not to be complete stereotypes: I’m still flabbergasted, I think.

So, maybe, only watch this without remembering how I admit to being almost a carbon copy to this main character. Or cut me some slack: you were probably a teen some time during your life as well.

Trust Exercise

Neither can drive.

Trust Exercise, Susan Choi, Henry Holt and Company 2019

What an utter load of twatwaffle no doubt disguised as High Literature because there is a load of teens fucking in it, it described in all kind of visuals and all this done by a female author.

What a disappointment. This is one of those titles that drew my eye, lost my attention because of the summary, only to regain it because of a solid review – I think (I can’t even remember). This isn’t just a love story between different worlds, there is A Twist and boy – hold onto your panties for that one! When does the twist happen? In the last forty pages out of the 250. Is it satisfying and/or satisfyingly explained? No. Are there any explanations for the behaviour of these Cool Guys and Girls? Barely. Is all this written in such a way that you understand that this is DEEP? Sadly, yes.

Boo, I hate such a severe disappointment. The twist could have done something, but I was browbeaten into absolutely passive not-caring long before that. Yes, I’m going to make a bad pun to finish this off: this trust exercise failed massively.

The Cat Returns

75 min.

This might be my favourite Studio Ghibli. It’s less breath-taking in how it looks and how diversely weird the characters are, but I guess that it also makes it more accessible. Or that could be because it’s ‘just’ 75 minutes instead of the studio’s habit to go for two hours and over.

Is this a children’s film? I wouldn’t know, aren’t all of them? The style is of pastels and little chuckles, but with enough barbs for the viewer to scratch their head. Possibly.

Studio Ghibli

Sweet girl Haru risks her own life to save a cat. Turns out that that cat is a prince, and his father decides that Haru deserves eternal gratitude. Oh, and his son’s hand in marriage, because why not.

Haru is – understandably – a tad confused and rather doesn’t marry a cat. Good thing she gets help from an unlikely angle, and the catty balance is evened out.

The Cat Returns feels more traditionally like a fairy tale than other Studio Ghibli creations, and there’s less gruesome looks and characters. Maybe you should view it as an introduction to the studio. It will also help with preventing you from feeling slight frustration about every main female character from the studio looking the same, but maybe it’s already too late for that.

Pride

It’s a truth universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up.

Pride, Ibi Zoboi, Balzer + Bray 2018

It’s embarrassing how angry this book made me. At myself. Being confronted with racist, classist and other thoughts wasn’t what I was suspecting from reading a YA retelling of Pride and Prejudice, set in contemporary Bushwick (New York City, USA).

So, first of all: “Why has it to be such a big family?” Because it’s just like the original material.

“Why is protagonist Zuri so angry and unyielding all the time?” Because she’s a teenager, of colour, gentrification and poverty.

“Why doesn’t Darius try harder to fit in with the majority?” … and this from a person that proudly called herself ‘alternative’ in high school. Shame on me.

Good thing is that all the frustration was directed at me, because I feel like Zoboi did really well with this. It’s no carbon copy, there’s all the right emotions and worries (now fitting because of puberty and a quickly changing surroundings), and Bushwick and its inhabitants as a welcome third party. Which such people, no wonder Zuri is willing to fight.

A novel like this is the YA that should be heavily promoted and adapted, instead of book 234 out of the CC club. Because a good story comes with insight (of the self), which is a good thing for all ages.

Momo en de tijdspaarders

Lang, lang geleden, toen de mensen nog heel andere talen spraken, waren er in de warme landen al grote en prachtige steden.

Ten eerste vraag ik me af waarom Engelse titels veel meer woorden een hoofdletter geven dan Nederlandse. Toen realiseerde ik me ik dacht dat de auteur Michiel en niet Michael heette.

Tot slot sta ik er bij stil hoe kinderboeken soms betere, duidelijker boodschappen geven dan so called volwassen boeken. Het is hier simpel: wat gebeurt er als tijd letterlijk als geld wordt afgeschilderd? Er is geen ruimte meer om te leven, want dingen kunnen altijd sneller en al het ‘onnuttige’ wordt verwijderd. Inclusief plezier, liefde en rust. Steek die maar in je zak.

Daarnaast is er een vreemde eend in de bijt als hoofdpersoon om te laten zien dat het niet allemaal volgens de norm hoeft, en een grote liefde voor verhalen tellen, vrij spelen en zelf uitzoeken wat je leuk vindt, wat kan en wat mag.

Oh, en dan ook nog even een filosofische dip richting het gebied van hoe de hemel er uitziet en wat tijd voor invloed er op heeft.

Kom daar maar eens mee in een volwassen roman.

Momo en de tijdspaarders, Michael Ende, Lemniscaat 1975

She-Ra

65 x 24 min.

Yes, I know, I’m surprised as well. This animated TV-show definitely took me a while to warm up to, and during the first two season (there’s five of them) I wouldn’t even have considered writing a blog about it. Somewhere near the end of season two, and/or the start of season three, it grabbed me. It grabbed me good.

She-RaBefore starting this show, I knew little about the previous incarnations of it and therefore didn’t feel the need to complain about how She-Ra isn’t a full-grown woman this time, nor about the lack of butt and boob shots (in an animated show, yes I know). It also means that I didn’t have any connection to it, and had to invest some time and energy to feel the connection.

She-Ra is fantasy, people with magic, bad guys that want to take it, colourful stuff, talking horses, but also teenagers, queer love, building your own family and views on power and the (ab)use of it. Especially when watching several episodes in a row you might notice some repetition, but as someone who skipped a few (there’s a character I could barely handle) I can say that you can still follow the main plot without confusion.

It’s also fun and bright and there’s so much heart in it, even though the shows of it sometimes made me feel a bit outside of the target audience/too old. Oh, and the animation is nice, instead of that try-hard, ugly as possible “adult” animation we have to suffer all too often.

She-Ra and the Princesses of Power, Netflix 2018

Rafiki

83 min.

Eindelijk. Rafiki heeft Rafiki omdat het het Swahili-woord voor ‘vriend’ is en homoseksuele koppels vaak als vrienden moeten leven om niet (geweldadig) uit de samenleving verwijderd te worden.

Rafiki film posterDus geen relatie tot de Lion King.

Deze film was voor verschillende festivals uitgekozen en ik kon bijna meer de frustratie herinneren van het te missen in Rotterdam dan wat het verhaal ook al weer was.

Het verhaal is simpel. Twee jonge mensen bevrienden elkaar en worden verliefd op elkaar, maar omdat het allebei vrouwen zijn, zijn er heel veel mensen die dit helemaal gruwelijk vinden.

Daarin ligt ook mijn enige frustratie: wanneer krijgen lesbiennes eens een luchtig niemandalletje (schrijf je dat zo?) van een film waarin het alleen om kalverliefde gaat? Als films met heteroseksuele romances net zo’n hoog percentage van geweld zou hebben, zou de politiek er waarschijnlijk vragen over stellen. Enfin.

Rafiki was het wachten waard door de twee hoofdrolspelers, en door de boodschap waar het mee eindigt.

Rafiki, Shortcut Films 2018

The Half of It

105 min.

And that’s how you do a coming-of-age, finding-your-way film for teenagers in a way that isn’t bubblegum colours, dubious voice-overs and an aggressive soundtrack.

half of it posterThat might make The Half of It dull for some people. Protagonist Ellie goes through life in the shadows and not in the Everyone Notices The Wallflower-way but really: in the background of everything. Her fellow pupils only notice her because of her essay writing skills, and one of them decides to use those skills for a more romantic endeavour. ‘Romantic’, as this is a teenage story and Cyrano de Bergerac-ing a relationship is never a good idea.

But that’s what happens, and Ellie is confronted with things that hang out with her in those self-chosen shadows. Do I make it sound too much like a horror film like this? I swear it isn’t!

Although looking at the poster.. that’s a bad poster.

Anyway, focus. The Half of It is a film for the children of immigrants, the half-orphans, those who have ever been confused with their identity, and those that didn’t view high school as the highest point of their life’s experience. It’s sweet in a cool way.

Worry it’s all too teenager for you? Watch Saving Face by the same director.

The Half of It, Netflix 2020

Airplane Mode

95 min.

Heel even in het nieuws omdat meer mensen dan verwacht het keken. Brazilianen – daar komt de film vandaan – begrepen het niet zo, zo goed was het niet. Alsof dat mensen ooit heeft tegengehouden.

airplane mode filmNuffig hoofdpersoon is Ana, influencer en vrouwelijke tiener met een social mediaverslaving. Dingen Gaan Fout waardoor ze moet afkicken bij haar knorrige opa. Daar Leert ze Dingen en komt ze een leuke jongen tegen. Zoals dat gaat.

Voor kleurigheid en flauwigheid is dit heel redelijk weg te kijken, maar het acteerwerk is voor een doelgroep jonger dan mij. De film is voor hen misschien weer iets te lang, en door Portugees als voertaal zal er waarschijnlijk gelezen moeten worden.

De Brazilianen hadden dus gelijk. Het ‘fish out of water’-plot kun je op vele andere plekken in betere versies vinden. De wijze lessen voor onzekere, met het-uiterlijk-geobsedeerde tieners ook.

Airplane Mode, Netflix 2020

To All The Boys

102 min.

It’s easy to judge this on many different levels and scoff a bit, but remember the target audience, and try to find some joy in your heart. I did.

2 all the boys This is the sequel to To All The Boys I loved Before. Mild spoilers for that one follow.

How long can a happy ending last? As everyone involved here are teenagers, the question might be a rhetorical one. Another crush shows up, and he seems much more nicer and attentive than Lara Jean’s boyfriend, oh no!

When not dating, worrying about dating and thinking of how to keep her boyfriend happy, Lara Jean has to deal with friendship, family and school as well. Actress Lana Condor makes sure she carries it well, even with those eye-rolling moments in which you just want to shake every teenager involved.

All of it is very cute and bright and sometimes very quirky, and all of it completely fits the bill and the people this has been made for. And – I admit almost with shame – for me as well.

To All The Boys: P.S. I Still Love You, Netflix 2020